Category: traditional publishing

Hiring an English Major to Edit Your Book Is Cheating Yourself

In a recent online discussion among freelance editors, one  hiring an english major to edit your booktopic that elicited many comments was about pricing the work we do.

The initial post was by an established and well-respected editor who wrote, “I recently was asked about my rates by someone at a local company who was looking for writing and editing help. She balked at my quote . . . Her response: < … we can find English majors for $10 to $15 [per hour] and many of them are quite good. >”

I get it; no one wants to spend more than necessary for anything—goods or services. I mean, if I can buy a knock-off designer widget that looks just like the brand-name widget, isn’t that a better value than buying the real thing just for the brand name? If I can get my next-door neighbor’s artistic son to design my book cover, isn’t that a better value than hiring an expensive professional cover artist?

And if I can get an English major to edit my book for a few hundred dollars, isn’t that a better value than hiring a professional editor? Continue reading “Hiring an English Major to Edit Your Book Is Cheating Yourself”

Film Groupies Make a Difference: Support The Red Suitcase on Indiegogo

Have you ever learned about a project and felt instantly compelled to be part of it? That’s how I felt when I heard about The Red Suitcase, a mother/daughter road movie in development about a 66-year-old woman who, with her grown daughter’s help, has to find the courage to start her life over. The film is based on a true story about the filmmaker’s mother, who suddenly found herself alone and penniless after her husband of 35 years walked out of her life, and it stars Kathleen Chalfant and Harris Yulin. 

Writer/producer Dana White writes,

It makes me angry that many women today, as they grow in years, are becoming more and more marginalized from our mainstream culture. My film is an attempt to both entertain (there are heaps of laughs and adventures in this film by the way), and to illuminate what I feel is a dark corner of America, where a good many women struggle, disposable and forgotten. I want to shine a light on that to people, and do it in a way that they’ll enjoy. And that THEY may have to pick up the pieces themselves one day too.

I first heard about the project from author Dorothy Sander (Aging Abundantly: A Little Book of Hope) when she asked me to proofread the updated version of her book  (one of the thank-you gifts for contributors at Indiegogo, which you can check out here). As I learned more about the film, the importance of its message for women really touched me. I made a small contribution, and I also want to help spread the word about this important film.

Dr. Patricia O’Gorman immediately saw the connection between this film and her book, The Resilient Woman, and wrote:

Using a crisis to consciously grow is the first step in my book The Resilient Woman. And that is what this extraordinary film—The Red Suitcase—is about. It asks, ‘How do I separate myself from the life I’ve lived? How do I move forward from the script I have followed, the one that told me what was expected of me as a woman, as a dutiful wife, as a mother, to see what life can hold for me now?’”

Barbara Torris wrote an inspiring piece about the film and how there really is a dearth of films out there about issues and life which reflects her reality:

I did one of those Google searches this morning using the words movies about older people and every movie that came up starred men like Clint Eastwood. Surprisingly, when I added the word women the search engine came up with older women/younger man relationship movies . . . all those icky cougar stories. But movies about older mothers in trouble and a daughter finding a way to move on with their lives? Probably not many. 

So now WE have a chance to help a movie get produced. This one is worth our attention.” 

Dorothy Sander echoed much of the same sentiment in her popular blog, Aging Abundantly: 

Good films have gone the way of manual typewriters . . . These are important films, but most will probably never see the light of day because the funds run out before they can be completed. The Red Suitcase is one such film . . . spread the word and show your support.”

Eileen Williams of Feisty Side of Fifty interviewed us on her radio show as well as wrote a wonderful article about The Red Suitcase:

The story weaves unexpected revelations, humorous adventures, and colorful characters together to create a tale that’s dramatic, funny, and heart-breakingly honest . . . If you, like me, are aching to see our own faces reflected back to us, this is one way we can take action.”

Dale Carter did a piece on us on her inspiring blog, Transition Aging Parents:

I applaud Dana for embarking on such a grand endeavor to bring the depth of her story for everyone to enjoy and reflect upon.  For now, take my advice and check out Dana White’s new film.”

Photographer Robbie Kaye (@BeautyofWisdom) has been relentless on spreading the word on Twitter with her thousands of followers. Her new book Beauty and Wisdom has just been released on Amazon. You can also get it as a gift with a contribution to the film.

Visit The Red Suitcase campaign, and please consider making a donation—even just $1 or $5 will help—and help spread the word about the campaign through your own Facebook, Twitter, Google+, Tumblr, Pinterest, and other social-networking connections. Thank you for your support!

Happy Writing,

Candace

 

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be. Learn more here.

For more great writing and publishing information, check out  Change It Up Editing and Writing Services on Facebook, where I share interesting articles and links about writing and publishing.

 

3 Things You Should NOT Do with Your NaNoWriMo Novel

The end of November is fast approaching, and with it comes the end of NaNoWriMo. The blog posts I’ve read this month have been filled with frenzied accounts of growing word counts and even some samples of WIPs, and for anyone who isn’t participating, November can make you feel like the kid who nobody wants on their team.

I’m an outsider.

No, I didn’t participate in NaNoWriMo this year. But I’ve been right there in spirit, and I hope my comments on some of your blogs have been helpful. (That Week 2 slump is a killer, isn’t it?)

But the end is in sight, and those of you who will “win” NaNo are already intoxicated by the sweet smell of success.

Those who won’t make it have nonetheless learned some valuable lessons about writing, yourself, and your approach to writing—so truly, there is no such thing as NOT winning NaNoWriMo because whether you make that 50,000 word count or not, you’re a better writer now than you were a month ago.

By the way, I agree with Chuck Wendig’s comments about the language of NaNoWriMo, specifically “winning” and “losing.”

This isn’t a game of Monopoly, after all. It’s not a race in which one competes.

It’s writing a book. If you finish your book on December 1st, or January 3rd or May 15th, you still won. Because HOLY SHIT YOU FINISHED A NOVEL.

The goal is to write a book whether it takes you one month or one year—failing to complete 50,000 words in a month that contains Thanksgiving and the ramp up to Christmas should never be regarded as a loser move.”

3 Things You Should NOT Do with Your #NaNoWriMo Novel Share on X

So whether you’ve already finished your first draft or you expect to do so sometime in 2015, here are three things you shouldn’t do when you cross the finish line:

1.   Don’t throw anything away.

Is your 50,000 word first draft ready for publication? Of course not—but neither should it be deleted from your hard drive. Yes, there are allegedly writers who do that, but please do NOT become one of them.

Even if you’re a writer who believes the act of putting your butt in a seat for 30 days and churning out the bones of a novel is enough of a reward without having to ever read what you wrote, please believe that you’ve written some gems.

Okay, maybe you’ll delete some—or most—of those 50,000 words, but save them in a separate folder. In a month or two you may reread a well-turned phrase you’d forgotten about and will have a brainstorm for an entirely new scene . . . or character . . . or novel!

2.    Don’t begin editing your manuscript.

You’ve spent plus or minus thirty days with this manuscript—and if you outlined in October, maybe even earlier, that number goes up. Believe me, now is NOT the time to begin editing. You’re too close to your story, and let’s face it—you’ve had an exhausting, emotional month.

What should you do instead? Do a happy dance, pat yourself on the back, announce to the world (or at least your friends on social media) that YOU DID IT, and then put your manuscript away for a while.

For how long? Opinions vary on this one, but long enough that when you open it up again, the story feels new and fresh in that “I can’t believe I wrote this” way. That might be a month or a year, but it shouldn’t be tomorrow. Give yourself some time away to gain a little perspective, and you’ll have more clarity once you being to edit and revise.

Taking a very rough first draft and molding it into a saleable novel will require some ruthless revising and self editing, so give yourself enough time away to gain perspective. As Chuck Wendig writes, “Repeat the mantra: Writing is when I make the words. Editing is when I make them not shitty.”

3.    Don’t stop writing.

If you’re like most NaNoWriMo authors, you’re pretty excited about ending November with 50,000 words—maybe you have the first draft of a novel, maybe only a third of a longer manuscript, but nevertheless, you’ve written a bodacious number of words in thirty days, and you’ve accomplished something pretty spectacular.

So why quit now? You’ve proven to yourself that you can make the time to write every day, so wrap your mind around that new reality and keep writing.

Should you continue with the same manuscript? Begin a brand-new story? It doesn’t even matter, because you are a writer, and writers gotta write. I love the way author Abbie Plouff put it:

For me, this has been an invaluable month dedicated to writing and storytelling that put me back on the right track. It has shown me that yes, even when life is hectic and crazy, I can still carve out time to work on my writing. The habit of writing—finding time to work every single day, thinking about my novel when I have downtime, and other planning exercises has been invaluable.”

And Chuck Wendig offers:

It helps to look at your NaNoWriMo novel as the zero draft — it has a beginning, it has an ending, it has a whole lot of something in the middle. The puzzle pieces are all on the table and, at the very least, you’ve got an image starting to come together (“is that a dolphin riding side-saddle on a mechanical warhorse through a hail of lasers?”). But the zero draft isn’t done cooking. A proper first draft awaits. A first draft that will see more meat slapped onto those exposed bones, taking your word count into more realistic territory.”

As far as I am concerned, every writer who even attempts NaNoWriMo should be congratulated. And although I know it will be a few months before those drafts are polished enough to make their way to an editor, I’m already looking forward to the day when that happens. For an editor, the thrill is in peeking under the hood, so to speak, and helping to polish a novel that was only an idea in your head a mere month ago. I can’t wait!

Happy Writing,

Candace

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

Candace Johnson is a professional freelance editor, proofreader, writer, and writing coach who works with traditional publishers, self-publishing authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to thriller to psychological thriller. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping them create and polish every sentence to make it the best it can be. Learn more here.

For more great writing and publishing information, check out  Change It Up Editing and Writing Services on Facebook, where I share interesting articles and links about writing and publishing.

Image courtesy of Stuart Miles at FreeDigitalPhotos.net 

Wrapping Up the Details: Step 10 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

nonfiction book proposalI’ve been blogging tips for writing a nonfiction book proposal, and here we are at the last step. As we’ve been discussing, the purpose of a nonfiction proposal is to sell an agent or editor on the concept of your book. Writing a nonfiction book proposal is all about marketing yourself, your writing, and your idea. Each section of your proposal answers the questions, “Why will this book stand out in a sea of other books about this subject?” and “Why are you are the perfect author to write this book?”

Over the previous few weeks I’ve covered each part of a proposal and offered specific ideas for what should be included and why. Today I’ll focus on tying up some loose ends by giving you tips about details that can be the difference between a proposal that’s ignored and one that agents and editors can’t wait to read. Continue reading “Wrapping Up the Details: Step 10 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Overview: Step 9 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

How to Write a Nonfiction Book Proposal

How do you learn what a book is about? If you’re like most readers, you read a synopsis—maybe the back cover, perhaps you read the description online. But how do agents and editors find out what a book is about when they receive a proposal? They begin by reading the Overview.

Your Overview is a synopsis of the book and why it should be published—its purpose is to give the editor as much information as possible while being as concise as possible—like an executive summary or a précis. A tall order? Yes, but think of it as advertising for your book: it grabs the reader’s attention and gives the basic information that highlights the most intriguing points. Continue reading “Overview: Step 9 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Table of Contents: Step 8 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

How to Write a Nonfiction Book ProposalAuthors often forget the importance of the table of contents when they construct a nonfiction book proposal. Some authors treat it as an afterthought, but it is actually an important part of the proposal package.

A complete proposal actually has two tables of contents, and each serves a different and important purpose:

  • One for the proposal itself
  • One for the actual book
A #nonfiction #bookproposal actually has two tables of contents, and each serves a different and important purpose Share on X

Let’s begin with the TOC for the proposal itself. Continue reading “Table of Contents: Step 8 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Chapter Summaries: Step 6 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

chapter summaries for nonfiction book proposalWriting a nonfiction book proposal can feel overwhelming. You have a great idea for a book, you’ve written a chapter or two and are excited about shopping it to an agent or publisher, and now it’s time to create your proposal.

Your book proposal includes sections that outline everything your (eventual) publisher needs to know to position your book in the marketplace. In the first five parts of this series, I’ve outlined what you should include in your proposal in the following sections:

I’ve outlined what you should include in the following sections of your proposal:

As I’ve mentioned previously, I’m covering these sections in the order I usually read and write proposals, since each section tends to build on those that come before.

How to Write Chapter Summaries for a Nonfiction Book Proposal #bookproposal #nonfiction #amwriting Share on X

Chapter Summaries for a Nonfiction Book Proposal

Everything you’ve presented in your proposal so far has been about you, your platform, your marketing plans, and the competition for your book. Now the rubber meets the road, so to speak, as you describe your book in enough detail to let an agent or editor understand what it’s about and why it is unique in the market—and why it will be profitable to publish.

Summarize each chapter in a paragraph or two, giving the agent or editor a feel for how your book covers the subject, demonstrating your writing ability and style, and presenting the information each chapter will cover and what questions it will raise and answer.

These summaries are the reason a nonfiction book proposal will sell an idea, even before you’ve written the entire manuscript—they give agents and editors an idea about the arc and flow of your manuscript.

How to write clear, compelling, and concise chapter summaries for #nonfiction book proposals. Share on X

As you write the summaries, think outline or précis—the goal is to be clear, compelling, and concise. Literary agent Jeanne Fredericks suggests, “To make the summaries more appealing, include some intriguing case histories, anecdotes or data, if possible. Communicate how the chapters will build on each other and advance your thesis.” And the Bradford Literary Agency suggests, “The style in which you deliver the description should be informed by the type of non-fiction book you are selling. A how-to book chapter description would necessarily be quite different from a travel narrative chapter description.”

While it’s important to have a topic or overview sentence to begin each chapter summary, this is the place to let your writing shine, so make sure each summary reads like a mini-chapter, not like a drab and boring outline. Don’t start each one with a version of “In this chapter I’ll discuss.”

Instead, do show: Continue reading “Chapter Summaries: Step 6 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

The Divas Recommend: How to (Almost) Instantly Improve Your Writing by Candace Johnson 

Write Divas Improve Your Writing

The Divas Recommend: How to (Almost) Instantly Improve Your Writing by Candace Johnson 

Hello Diva followers! On this week’s The Divas Recommend, we bring you the fabulous blog Change It Up Editing, run by editor Candace Johnson. Change It Up Editing…

Continue reading “The Divas Recommend: How to (Almost) Instantly Improve Your Writing by Candace Johnson “

Competitive Titles: Step 5 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

How to Write a Nonfiction Book ProposalAnyone who’s written a nonfiction book proposal will probably tell you that proposal writing is more difficult than writing the actual manuscript. After all, you’re an expert on the subject you’re writing about, and sharing that knowledge is fun, but putting on your marketing hat to write the proposal often presents some unique challenges for writers, and facing your competition is one of those.

After all, you’re an expert on the subject you’re writing about, and sharing that knowledge is fun, but putting on your marketing hat to write the proposal often presents some unique challenges for writers. Facing your competition is one of those.

Your book proposal needs to convince the literary agents you query, and ultimately acquisition editors (who decide whether or not to bring your proposal forward for consideration through several vetting steps), why this book will stand out in a sea of other books about your subject, and why you are the perfect author to write this book.

This section of the proposal shouldn’t overwhelm you. This is actually another place for you to let your book shine and show your expertise about your subject—you just need to remember a few things.

Things to Do:

  1. Research the competition and understand how your book fits in the market. Your book will be shelved next to other books in the genre; your book will come up in an online search as one of many in the genre. This section of the proposal is where you discuss the differences between your book and the others. If you’re writing about a subject that has plenty of competition to choose from, list 5−10 books, but if your subject is very niche, think outside the box a little and come up with at least two or three comp titles. Even if your book is truly unique, find and list books that are similar to yours; for example, if you are shopping a book about baking gluten-free treats for goldfish, you probably won’t have a lot of competition, but compare and contrast your book to others about homemade pet food, raising healthy fish, and food allergies in pets. Continue reading “Competitive Titles: Step 5 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Your Marketing and Publicity Plan: Step 4 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

nonfiction book proposal marketing publicity planIf you’re writing a nonfiction book proposal (and you’re following this series), you already understand the importance of your author bio and how to identify your target audience. Now it’s time to articulate your plans for selling your book by including the marketing and publicity plan that will grab the attention of an agent or editor.

Remember, you’re selling two things in your book proposal: your manuscript and yourself as the author-expert. A strong proposal weaves those separate pieces together in creative and compelling ways, and the Marketing/Publicity section of your proposal is where you bring together the best of those with some creative ideas of your own for making your book a success. And whether you ultimately publish traditionally or decide to self-publish, you just can’t expect publishers or booksellers to bring the readers to you.

As author K. S. Brooks writes,

Book sellers do not want to take up space on their shelves if you’re not going to push your book. They want to know what you have planned to getword out about your book. . . . If they don’t think you’re going to make an effort to sell the books they put on their shelves—well, you can kiss that opportunity goodbye.”

So how do you wow agents and editors with your marketing and publicity section? Continue reading “Your Marketing and Publicity Plan: Step 4 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”