Writing a nonfiction book proposal can feel overwhelming. You have a great idea for a book, you’ve written a chapter or two and are excited about shopping it to an agent or publisher, and now it’s time to create your proposal.
Your book proposal includes sections that outline everything your (eventual) publisher needs to know to position your book in the marketplace. In the first five parts of this series, I’ve outlined what you should include in your proposal in the following sections:
I’ve outlined what you should include in the following sections of your proposal:
As I’ve mentioned previously, I’m covering these sections in the order I usually read and write proposals, since each section tends to build on those that come before.How to Write Chapter Summaries for a Nonfiction Book Proposal #bookproposal #nonfiction #amwriting Click To Tweet
Chapter Summaries for a Nonfiction Book Proposal
Everything you’ve presented in your proposal so far has been about you, your platform, your marketing plans, and the competition for your book. Now the rubber meets the road, so to speak, as you describe your book in enough detail to let an agent or editor understand what it’s about and why it is unique in the market—and why it will be profitable to publish.
Summarize each chapter in a paragraph or two, giving the agent or editor a feel for how your book covers the subject, demonstrating your writing ability and style, and presenting the information each chapter will cover and what questions it will raise and answer.
These summaries are the reason a nonfiction book proposal will sell an idea, even before you’ve written the entire manuscript—they give agents and editors an idea about the arc and flow of your manuscript.How to write clear, compelling, and concise chapter summaries for #nonfiction book proposals. Click To Tweet
As you write the summaries, think outline or précis—the goal is to be clear, compelling, and concise. Literary agent Jeanne Fredericks suggests, “To make the summaries more appealing, include some intriguing case histories, anecdotes or data, if possible. Communicate how the chapters will build on each other and advance your thesis.” And the Bradford Literary Agency suggests, “The style in which you deliver the description should be informed by the type of non-fiction book you are selling. A how-to book chapter description would necessarily be quite different from a travel narrative chapter description.”
While it’s important to have a topic or overview sentence to begin each chapter summary, this is the place to let your writing shine, so make sure each summary reads like a mini-chapter, not like a drab and boring outline. Don’t start each one with a version of “In this chapter I’ll discuss.”