Show, Don’t Tell

When I read a post on someone else’s blog that explains a concept in a way that makes me think I wish I’d said that, I just have to share it here. This article by Oliver Gray is a wonderful exposition of literary devices you can use to help you bring your imagery to life. I hope you’ll visit Oliver’s blog at Literature and Libation to read the entire article.

Literary devices you can use to help you bring your imagery to life. #writetip #amwriting Click To Tweet

Imagery innervates your writing, takes it beyond yawing generalities and into the visceral, blood-soaked details. It is how, using your words and syntax and imagination, you create the world of your story in your reader’s mind. It engages all of the senses: vibrant, blinding colors; pungent, wafting smells; coarse, sandy textures; plunking, rolling sounds; sweet, buttery tastes.

The piece of advice I’m sure you’ve heard even more times than “Cliche? Run away!” is “Show, don’t tell.” It’s another easy one to regurgitate into the awaiting mouths of nutrient-starved writers, but it is often misunderstood.

The idea is that you need to show an emotion or character trait or some other important facet without just telling your reader explictly what that thing is. It’s the difference between, “Carol fidgeted, her eyes darting towards the door ever few minutes” and “Carol was nervous.”

What makes the first one showing and the second one telling? Images. Imagery. Figurative language. Pictures drawn with words and forcefully placed into the reader’s brain through his eyeballs.

It’s that simple. Showing comes down to using effective imagery in your writing. There are no other magic methods or secret spells or ridiculous riddles. If you’re getting a lot of feedback saying, “show, don’t tell!” with no other qualifications, re-interpret that as, “I couldn’t really picture this correctly, and it gave me pause.

When you start replacing abstracts and generalizations with concrete images that your reader can easily turn into a video of the action in their head, the problem of showing verses telling suddenly, as if by some divine writing miracle, disappears.”

This is just an excerpt from Oliver’s longer article, and it’s packed with great information so I hope you’ll visit and read more here.

Happy Writing!

—Candace

10 Reasons You Need an Editor for Indie Publishing

There are many reasons why you should invest in professional editing when you are self-publishing; here are ten of them:copyedit photo

When Michael Jordan was asked how he became the best basketball player in the world, his answer was “I had great coaches.” And in the same way, great writers have good editors behind them. A good editor can help make the difference between a book that should be used as fireplace kindling and one that rivals any traditionally published bestseller.

Editing is a specialized skill set; just because someone can find typos doesn’t mean he or she is a good editor. When you are considering independent publishing, it’s important to gather a professional team that helps you raise the bar on your work and create a final product that is something you can be proud of.

Great writers have good editors behind them. #editingtip #writers #selfpub Click To Tweet

Here are 10 reasons why you need an editor if you plan to self-publish:

1. You are new to the publishing business.
The publishing world is in a transition, and whether you hope to self-publish and catch the eye of a literary agent or publisher or you just want to maintain more control over your product and your income, you should partner with professionals who know the publishing world and can guide you through unfamiliar details, such as the legalities of using song lyrics or how many words are “standard” in your genre.

2. You have a great idea but don’t know how to organize it into a book.
Experts in psychology or medicine, food, local history, and other unique fields often use a professional editor to help them shape their ideas into a salable manuscript that will appeal to lay readers. Memoirists often struggle to move their work past the point of sounding like diary entries; a professional editor can help focus your writing to create a compelling memoir that readers will devour like a novel. Fiction writers can partner with an editor to flesh out details and elements such as plot, characterization, dialogue, and setting.

3. You’ve self-edited your work and are ready to move forward.
Your friends, your relatives, and your former English teacher will all give you wonderful support and advice, but they’re not going to approach your manuscript with the eye for detail that an editor brings to your work. A professional editor’s primary connection to the book is through the manuscript itself, not through you personally. A good editor represents the eye and ear of the reader and brings a viewpoint that is often more nuanced than that of your supportive friends and family. Each time you return to your manuscript, you see it a little differently. Self-editing multiple drafts is something every writer should do, but returning to a work with notes from a professional is a way to maximize your efforts.

4. You have poured your heart and soul into your work, and it is difficult to be objective about it.
Even after you’ve self-edited, there may be issues you haven’t addressed because you aren’t aware of them. Are there holes in your arguments? Are your introduction and conclusion as strong as they can be? Are your characters three dimensional or flat? Is your story slow to start, or does it move too quickly? You want your book to be strong, clean, professional, appealing, and affect your readers, and an editor can point out the strengths and weaknesses in your manuscript.

5. Your mind sees what it wants to see.
Your brain has a hard time realizing that “weak” is wrong when you meant “week,” or that you’ve received a “compliment,” not a “complement.” An editor will catch these details and find errors that go beyond spelling and word choices. Every writer has a personal pattern of error, such as using the same word too frequently or misusing semicolons, and those are errors you won’t even notice—but an editor will.

6. Grammar isn’t everyone’s strong suit . . . and even if you’re good at it, grammar isn’t the only thing that can trip you up.
If you unknowingly overuse pet words, or if your writing is wordy or repetitive, an editor will point out those errors. Spell-check and grammar-check software can actually make things worse instead of better. While these features are a good place to start, they are not nearly as accurate or as skillful as a good editor. And editing goes beyond grammar, spelling, and punctuation mistakes. You want to be sure that no questions go unanswered, all necessary information is included, and, of course, that no libelous or inaccurate material is published.

7. You want to create a final product that is something you can really be proud of.
An editor can help you raise the bar on your work by giving you critical feedback that often will improve your work beyond what you might have been able to do on your own. This can lead to more positive reviews and help you gain credibility as a professional writer and expert in your field.

8. You’ll become a better writer through the learning opportunity of working with a professional editor.
Self-editing is an essential part of a writer’s craft. Working with an editor is a chance to hone and improve your own self-editing skills. Even when your friends point out mistakes, it’s not unusual to add additional errors when making corrections. An editor will point out inconsistencies, fallacies, prose that is too flowery, or areas of text that could be rewritten to improve flow, all of which help you become a better writer.

9. A professional editor will respect your style and voice while guiding you toward a final manuscript that’s even more “you.”
Authors are often worried that editing will destroy their unique voice; a professional editor not only respects your voice while improving the flow, syntax, and narrative of your work, but suggests ways to make small changes that will help you create an even more polished version of your work.

10. Your book and your professional reputation ride on the professionalism of your editing team.
An author who relies only on self-editing is like a physician who tries to operate on himself. And you wouldn’t dream of interviewing for a job without taking a shower, brushing your teeth, and making sure your socks match; how could you contemplate creating your legacy as a writing professional without hiring someone to edit your manuscript for errors, omissions, and weak writing? A professional editor has an objective viewpoint and will be honest with you about the many ways you can improve your manuscript—yes, even when you think it’s perfect, you’ll be surprised at the things an editor will find.

One of the best investments you can make in your career as a writer is to pay for at least one level of professional editing. Whether you choose to work with a developmental editor, a copy editor, a proofreader, or any combination of the three, don’t make the mistake of thinking you can do this on your own. Skipping the step of working with a professional editor will compromise the quality of your work.

Originally published on Share Your Articles.

 

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Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

Join Me on the Air

ID-10033526Through the magic of the Internet, you can hear yours truly chatting about writing and editing on Monday, April 1.

I’ll be the guest of author, personal development speaker, and radio host Raeleen Mautner, PhD, who has invited me to be her guest on The Art of Living Well. I had the privilege of editing Raeleen’s latest book, Lemons into Limoncello, which will be out on May 7 and is available now for preorder herehere, and wherever books are sold.LemonsLimoncello

The Art of Living Well is a fantastic show, and Raeleen is a seasoned professional. I, on the other hand, am more comfortable behind the scenes, so the idea of an hour-long radio interview is making me a little nervous—but I’ll do my best not to let that show. At least I don’t have to give a speech in front of a crowd . . . where I’d have to imagine the audience in their underwear (remember that old trick to overcome stage fright?).

Come to think of it, those of you on the East Coast of the US might actually be in your underwear at that time!

Seriously, we’ll be discussing aspects of writing and the editing process, so I hope you’ll tune in and listen. You can listen to a live stream from anywhere in the world. If you’re in Australia, I’ll help you go to sleep, since that will be 11pm your time. In the UK? Join me on your noon lunch hour. And if you’re anywhere else in the world, here’s a link to a time conversion site: http://www.timeanddate.com/worldclock/converter.html.

I hope you’ll join Raeleen and me for what promises to be an entertaining and enlightening hour. See you there!

—Candace

“On Air” image courtesy of Salvatore Vuono at FreeDigitalPhotos.net

Book Publishing Is the New Wild West

Book Publishing Is the New Wild West
Book Publishing Is the New Wild West

Crowd-sourcing, royalty-sharing, publishing your book in chapters . . . Here’s a little perspective from Brooke Warner, publisher of She Writes Press and founder of Warner Coaching Inc.

Betsy Morais wrote a piece for The New Yorker called “A Book Is a Start-Up,” in which she writes about some of the new publishing business models coming out of the Tools of Change conference, three days focused on new publishing technologies and business models.

Morais writes about Tim Sanders, C.E.O. of NetMinds, a company that’s attempting to crowd-source book production. It’s an interesting model, to be sure, but one that will probably end with authors, editors, and designers feeling like they are getting screwed somewhere in the process. The reason I say this is because most books . . . read more.

 

Related articles

 

Why You Must Create a Compelling Book Description

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Question: What’s the most important piece of writing you’ll do once your book is complete?

Answer: The description of your book. No matter how well written your book is, no matter how great your author platform is, no matter how great your marketing plan is, if your promotional copy puts readers to sleep, you just lost a potential sale.

What you say about your book can be as important (and arguably even more important) that what you say inside your book.

What’s the most important piece of writing you’ll do once your book is complete? #selfpub #indieauthors Click To Tweet

The product description you write for Amazon, Barnes and Noble, and other product pages—even your own website—needs to be the best sales copy you can create. Whether readers are just browsing for a book to read or they’re looking for yours specifically (yay!), the interest and excitement you create in that product description will influence whether you gain another reader or not.

Continue reading “Why You Must Create a Compelling Book Description”

Why Writing Well Matters, Even When Your Product Is Free

Writing WellI came across a blog post the other day that I want to share with you precisely because the author is not a novelist, but she is a consumer–the type of consumer who might one day download your e-book.

In this post, Jill P. Viers writes about the overabundance of typos in a free e-book she downloadeda nonfiction book filled with information she says “is valid and fairly useful”yet the book is loaded with errors.

“Why Writing Well Matters, Even When Your Product Is Free” is a post every author should read. Remember: Your book is your resumé; you never get a second chance to make a first impression; save yourself time, money, and anxiety by making sure your book is the best it can be before you publish.

Remember: Your book is your resumé; you never get a second chance to make a first impression. #amediting #editingtip #writers Click To Tweet

*****

I am reading an ebook that I picked up for free when I signed up for someone’s mailing list. The information in the free ebook is valid and fairly useful; however, the free ebook is full of typos and misuses of words. I’m not talking about one or two minor errors. I could get over that. We’re all human. I make mistakes, too.

Notice I keep pointing out that this was a free ebook? There’s a reason, and it’s not an attempt to keyword stuff this post. Some people would ask me, “Why are you complaining about the typos when you got the book for free?”

Here’s the answer: Because I’m still investing my time into reading this ebook. If the author didn’t care enough to proofread, yet this is the author’s “sales pitch” or “can’t miss giveaway” that’s supposed to make me want to hire the author in the future, it’s ultimately a fail for me.”

Read more here.

Happy Writing!

Candace

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Copyediting or Proofreading: 5 Steps to Determine What You Need

copyediting or proofreadingIn the past few weeks I’ve received queries from several writers about my editing services. “How much do you charge to edit a 110,000 word novel?” and “What will it cost to copyedit my nonfiction book. It’s about 300 pages.”

These seem like perfectly reasonable questions, don’t they? The problem for me, as an editor, is that they are too vague. Editing is a very broad term that covers every function from development through line editing to proofreading—soup to nuts in editorial services, so to speak.

When you’re on a budget (and really, who isn’t?), it’s important to plan for your upcoming expenses. Your editorial budget should not be an exception!

All writers who publish—whether traditionally, independently, or through assisted publishing—will need some level of editorial services. When you plan to seek an agent or query publishers directly, you should use at least one professional editor before you submit. In the case of self-publishing, the responsibility for editing falls entirely on your shoulders, and you may want to seriously consider a wider range of editorial services before your work goes live.

You might need several different types of editing (at various stages of the project) before a final proofread. The hard part is knowing what editing service to ask for. Continue reading “Copyediting or Proofreading: 5 Steps to Determine What You Need”

Descriptive Verbs Printable Book Mark

How Descriptive Are Your Verbs?
courtesy of http://banyantreestudio.com

If you’re looking for a great descriptive verb for your latest word picture, look no farther! This printable bookmark is filled with choices for creating dialogue, compelling descriptions of your character’s antics, or though-provoking sentences in any style or genre. as Debbie Maxwell Allen wrote in her blog, “Sentences that use walked, sat, and thought pale in comparison to stalked, sprawled, and stewed. However, don’t label yourself as a failure if strong verbs don’t automatically show up in your manuscript. Adding stronger verbs is something you do in your rewriting.”

Print this out on card stock for a handy reference that’s always at the ready—and another big thank you to artist Ginny Millard at www.banyantreestudio.com for creating it. Please visit Ginny’s website and let her know how much you appreciate having all these fantastic word choices at your fingertips.

If you like the idea of a bookmark filled with words, you’ll find another filled with Synonyms for Said in an earlier blog.

And don’t forget to “bookmark” Change It Up Editing and Writing Services for all your editing and writing needs in 2013. Let me help you say it the way you mean it!

Happy Writing!

—Candace

How Descriptive Are Your Verbs? Here is a list! #amwriting #writetip #writers Click To Tweet

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This bookmark originally appeared in the post You Are Not Alone.

Resumptives and Summatives and Appositives, oh my!

Resumptive and Summative and AppositivesAs many of you know, I was out of town for the past ten days. I visited my elderly father (an exercise in patience and resilience), my twenty-three-year-old daughter (more resilience), and dear friends. It was a fun but exhausting trip.

All this is a way to say I’m just now catching up on reading blogs from the past week. In the chaos of traveling, I missed National Grammar Day, but now I’m happy to share my favorite tribute blog with you, my loyal readers. Oliver Gray always has interesting things to say at Literature and Libation, and this post is one I read and thought, “I wish I’d written that!”

So without further ado, here is Oliver’s take on Resumptive and Summative and Appositives—enjoy!

These 3 grammatical tools are powerful and should be treated with respect. #amwriting #grammar #writetip Click To Tweet

Continue reading “Resumptives and Summatives and Appositives, oh my!”

Present Tense Draws the Reader into the Story—Guest Blog

Present Tense
Present Tense: Breathlessly Waiting to Read About What’s Already Happened

Several months ago I wrote “Present Tense: Breathlessly Waiting to Read About What’s Already Happened,” in which I posited that writing in present tense is difficult for most writers to do effectively. Two fellow bloggers commented that they felt their stories worked best using present tense, and I invited each of them to write a guest blog about this to share with us.

C.B. Wentworth wrote “How I Used First Person and Present Tense to Wake Up My Story—Guest Blog,” and below is JH Mae’s guest post. I hope you’ll visit both blogs and let them know you found them here at Change It Up Editing and Writing.

Continue reading “Present Tense Draws the Reader into the Story—Guest Blog”