The Writer and the Platform: Guest post by Chris Mentzer

Writer platformOn the heels of my post about the importance of a strong author bio in your book proposal, author Chris Mentzer offered to further discuss that elusive author platform we hear so much about. (Chris’s book Nexus of the Worlds will be published by Tiger Dynasty Publishing in December, so he’s lived this firsthand.) Chris and I connected through social media, and we are both proponents of building those personal relationships  every author needs to create a strong platform. I know you’ll enjoy reading his thoughts, and don’t forget to visit Chris’s blog at Tales from the Fifth Tower when you’re finished here. Take it away, Chris:

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One of the hot topics of discussion in the world of writing concerns the writer’s platform. Some ask, “Should I have one, even though I don’t have a book?” or “I’m fiction author, so is it necessary for me to have one?” Let’s look at both these questions and some related ones.

What Is a Platform?

In simple terms, and speaking from a material standpoint, a platform is a series of planks connected together to make a raised surface for an individual to stand on. In politics, a platform is a candidate’s basis for being elected; each plank is a promise that he makes to be elected. In writing, the platform is your place in cyberspace for people to find you and know who you are among other writers. Each plank is an outlet where you can be noticed and heard.

A writer platform is your place in cyberspace for people to find you and know who you are... #writers Share on X

The Planks of the Writer’s Platform

I read articles that say a writer’s blog or website is the platform, as that is the hub of his or her activity. In theory, I agree with this. However, looking at the definition of platform, the blog is only one part of the entire structure. It may be the main section, but it is not the whole platform. When you add your presence on Twitter, Facebook, Google+, and other social media outlets, those the additional planks strengthen the entire platform. Author interviews, books blurbs, author bios, and book trailers are additional planks.

But I Don’t Have a Published Book

There are a lot of writers out there who claim they don’t need a platform since they don’t have a book to sell. I can understand this, but in the busy world of cyberspace, even with a book you may not be heard; it might take months—even years—to develop a fan base for you and your books.

Let’s look at this through the lens of a historical landmark event. Everyone is familiar with the moon landing in 1969. We are introduced to the astronauts, we follow them to the rocket, we cheer the liftoff, and then we rejoice as it lands and the astronauts walk on the surface. The significance of this (besides the event itself) is that we know a great deal about it before long before the rocket leaves the launch pad. In a speech on May 25, 1961, President Kennedy promised we would put a man on the moon before the decade was over. That was eight years before it happened.

Now, let’s suppose that you, the author, are an astronaut, and your book is the moon landing. NASA is your publisher (traditional or self-publishing). Your platform then is the announcement to the country that you are heading to the moon writing a book. The news travels around from one person to the next, interviews are posted in papers and on television, and this leads up to your departure into space book being released. If you release the book first and then develop a platform, it’s the same as landing on the moon first and then telling everyone about it. Imagine the disappointed astronaut on the moon’s surface jumping up and down and waving his arms at the people on earth—and nobody is paying attention.

Selling Yourself

Your platform sells you and your brand and allows people to get to know you and your style of writing, and from there you build a fan base of followers. That way, when the book is released, you already have the attention of a number of people who will buy your book and/or tell others about it, and you hope they will get on board and buy as well.

How do you sell yourself? That’s where the blog comes into play. Talk about yourself, the genre you write, the books you have read, and other basic things about who you are and what makes you tick. Have someone interview you asking these questions. There are bloggers out there who specialize in helping people get discovered even before a book is available. On Twitter, follow fellow authors of the same genre and pick their brains. Find out how they got to where they are right now. They may soon follow you, and from there you can develop a following of your own.

But I’m a Fiction Writer Continue reading “The Writer and the Platform: Guest post by Chris Mentzer”

Are You a Social Media Addict?

social media addiction
Social networking back in the day, courtesy of National Archives and Records Administration

Today I welcome author and blogger Tam Francis, who muses about the addictive nature of social media for platform building.  Tam’s experience is one many of us have shared (still share?), and this humorous look at her “problem” made me laugh. Take it away, Tam:

*****

When Candace invited me to guest blog, I was grateful and thrilled. I have been blogging for years but mostly about subjects that reflect the content of my novel, The Girl in the Jitterbug Dress: vintage clothing, swing dancing, cocktails, vintage sewing, and WWII memorabilia. In keeping with the themes of Candace’s blog, I wanted to share my writerly (really love this new-for-me word) experience. Lately, I’ve been on a crash course to catch up to the social media standard for writers.

Do you feel like your real life is an interruption to your writer life? #writerslife Share on X

Do you ever feel like your “real life” (dinner, friends, dishes, laundry, soccer games, even television) is an interruption to your “writer life”?

So much of the writer life is in our heads. Even as we physically read these words, we are in our heads. Cyberspace isn’t a real place, though real people are at the end of the tangled tapestry; they are in their heads at their computers.

When I began building my writer platform, I couldn’t wait to check my inbox to see who followed me today or if anyone commented on my comments.

I was an addict, and social media was my drug. Continue reading “Are You a Social Media Addict?”

Happy One Year Blogging Anniversary to Me!

I received official notification from WordPress that my blog is now a year old:

Wordpress

Thank you to friends, followers, and everyone in this wonderful writing community for your friendship and support. I love working with writers, and my goal for my blog posts is to provide useful content that will help you whether you write for publication or “just because.” In honor of this auspicious occasion, I’m listing links to some of my most popular articles and guest posts from the last 12 months, and I hope I’ve grouped these in a way that makes searching topics a bit easier for you. Feel free to add a comment on any of them—your comments are always welcome.

Self-Editing

Struggling with Revisions? Try Playing with Paper Dolls

Self-Editing Checklist for Fiction Writers Part I: Macro Issues Continue reading “Happy One Year Blogging Anniversary to Me!”

Should Fiction Writers Bother with Blogs and Websites?

I’ve been evaluating fiction manuscripts lately.should writers blog

Most are by authors who are yet to be published, and some are by authors who have published nonfiction and want to break into fiction. The genres vary, but one of the common statements I hear from all these authors is,

“I’ll start blogging and get a website when my book is published.” 

If you’re reading this, chances are pretty good that you are already a blogger, so forgive me if I’m preaching to the choir. But based on several recent posts I’ve read in the blogosphere, fiction writers are beginning to ask themselves (and others) if blogging and other types of social media are really worth the time they take. Will a blog really help an author sell more books? Will a website really make an author look more professional—and does that even matter? Isn’t success really about writing a good book? Continue reading “Should Fiction Writers Bother with Blogs and Websites?”

Win-Win: Teaching Through Writing

collaboration writersRecently, an independent author who hopes to land a publishing contract this time around hired me to write a book proposal for her latest nonfiction book. She’s an experienced author, but she also knows what she doesn’t know. In her own words, “There is no point in reinventing the wheel when someone else already does it (writing a proposal) well. I think my time would better be served doing what I do best, teaching through writing.”

That sentence got me to thinking about how (as writers) we learn not just from reading, but also from the writing we do. One of the things I love most about my job is the collaborative work I do with authors. There is always a takeaway for me, and more important, there is a takeaway for my author/client.

The author who hired me to write her book proposal understands her personal strengths and weaknesses, and she appreciates the value of hiring someone to do something that might take her weeks of extra time to learn to do well. She’s willing to invest in her writing career by hiring a professional who has the expertise she doesn’t, which frees her up to do what she does best—write. She’s actually making money by spending money.

But there is an added benefit to her: once we’ve completed our collaboration on her book proposal, she will have a very clear idea of how to write a complete proposal for her next book if she chooses to do so.

You see, I too love to teach through writing. As we work together to create and sculpt her book proposal, we both learn. The author spends many hours researching a subject and sharing all her knowledge in a manuscript that she hopes will teach her readers something useful and valuable to them; I spend hours helping her choose just the right words and phrases and putting them together into a package that we hope will catch the eye of an agent or publisher.

And we each come away from this collaboration enriched by the other person’s strengths, because together we can accomplish something neither one of us could do, or do as well, without the other writer.

Collaboration is such an important part of a writer’s life. #writers #writerslife #IARTG Share on X

Collaboration is such an important part of a writer’s life. Many articles have been written about the solitary nature of writing, but when we collaborate with others—through writing partners, critique groups, beta readers, blog followers, and editors—we enrich our writing lives exponentially.

By the time I finish writing this proposal, I’ll have a great deal more knowledge about a subject that interests me, and my client will have a killer proposal and the skill to write the next one on her own if she chooses to . . . and we’ll have both gained something of real value through teaching and writing.

Happy Writing,

Candace

If you enjoyed reading this and want to improve your ability to self-edit and revise your work, please subscribe by entering your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

Related articles:

How Do You Define Your Success as a Writer? (stylematters01.wordpress.com)

If You DID Know (megansayers.wordpress.com)

Struggling with Revisions? Try Playing with Paper Dolls

revisionsMany books and articles are available that offer step-by-step processes for revising and self-editing your manuscript. Each method has advantages and disadvantages, but . . .

The real secret to getting through “revision hell” is trying different methods until you find the one that works best for you and your writing style.

In today’s digital world, some of the most-used and best-loved writing programs also offer a digital method for revising your first draft. One of the most popular (at least with my clients and writers whose blogs I read) is Scrivener.

Wikipedia has this to say about Scrivener:

Features include a corkboard, the ability to rearrange files by dragging-and-dropping virtual index cards in the corkboard, an outliner, a split screen mode that enables users to edit several documents at once, a full-screen mode, and “snapshots” (the ability to save a copy of a particular document prior to any drastic changes). Because of its breadth of interfaces and features, it has positioned itself not only as a word processor, but as a literary “project management tool.”

The whole idea of virtual index cards just makes my heart skip a beat—I love the ability to virtually duplicate what I used to do on paper. And even in today’s high-tech world where novels are written on smartphones and self-help books are created on tablets, low-tech methods sometimes still work best—especially if you’re not in the mood to learn another new software program.

The real secret to getting through “revision hell” is trying different methods. #revisions #amwriting #writerslife Share on X

When you’re struggling with revisions, try playing with paper dolls.

I’m not actually suggesting you stop writing and crack out that box of childhood toys you’ve saved “for the grandchildren.” I am suggesting you consider returning to a method that you probably used in your pre-computer days, which I call the Paper-Doll Method. Continue reading “Struggling with Revisions? Try Playing with Paper Dolls”

Self-Editing Checklist for Fiction Writers Part I: Macro Issues

Self-Editing ChecklistWhether you plan to self-publish or try for a traditional publishing contract, your post-writing/prepublication steps should be the same:

  1. Pat yourself on the back for completing your manuscript, and then put it away for a few weeks.
  2. Once you’re ready to begin self editing, review your outline (if you have one) to refresh your memory about your original plans; this step will help you remember, for example, that the character who was originally named “Mary” was later changed to “Marie,” so you can do a search to be sure they were all changed. It will also help you if (when!) you begin moving chapters around.
  3. Run a spell-checker and grammar checker. Be careful, though—don’t automatically assume the computer software will catch all your mistakes. Here’s a fun example of correctly spelled words that prove the point:

I have a spelling chequer,

It came with my pea sea,

It plainly marks four my revue,

Miss steaks eye kin knot sea.

(read more at http://www.future-perfect.co.uk/grammartips/spell-checker.asp)

Now it’s time to begin going through your manuscript with a fine-tooth comb. For most writers, moving from macro to micro works best, but if you’re easily distracted by minutia, you might want to reverse the process.

I’ll cover micro issues in another post. Macro issues include big-picture concepts, like how the characters develop over the course of the story and whether or not the story arc works; micro issues include sentence structure and word choices.

When checking a manuscript for macro issues, here are some points to consider:

When checking a manuscript for macro issues, here are some points to consider: #amediting #editingtip #writers Share on X

Continue reading “Self-Editing Checklist for Fiction Writers Part I: Macro Issues”

Readers for Writers: Beta Readers, the Superheroes of Your Writing Team

One of the writers I’ve come to know and admire through writing this blog is JH Mae, who asked me to write a guest post about beta readers.  Please join me at By, JHMae, and while you’re over at her blog, I hope you’ll take a few extra minutes to read some of her amazing work!

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After you complete your manuscript, it’s time to send it out into the world.

Or is it?

If you are serious about publishing, your first readers should be beta readers.

And just what is a beta reader?

Think of beta readers as superhero partner/readers for your WIP. Correctly employed, your superheroes can save you a lot of time and money. How? I’m glad you asked!

Ideally, you want to assemble a team of beta readers. By getting focused, constructive criticism from multiple viewpoints, you’ll be able to identify (and you’ll have the opportunity to address) potential problems with your manuscript before you spend money on professional editing. Then, when you do hire an editor, you’ll get more bang for your buck. (I wrote about that in Three Things You Shouldn’t Hire an Editor to Do.

Each one of your superheroes will have a different strength, and no one beta reader will offer the same level of advice in every area. (That’s why you’ll get the most comprehensive feedback from a team.)

Some will be generalists, some will be detail-oriented, but they’ll each see your story in a new way, because

Beta readers approach your manuscript from a fresh point of view. #betareaders #writetip Share on X

 

Happy Writing,

Candace

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

How to Survive “The Shock”: Your First Round of Editing

When writers have their manuscripts professionally edited for the first time, they often experience “The Shock.”

I’m talking about that moment when you open the document, fully prepared to see a few red lines here and there (because, of course, the reason you hired a professional editor in the first place was to find ways to improve a few sentences, catch a misspelled word or two, and clean up some punctuation).

What you didn’t expect was this:The Shock Your First Round of Editing

Yikes! What happened?

When an editor returns an edited document to you, the first thing you should do before you open it is TAKE A DEEP BREATH.

Believe it or not, as an editor, I’m as nervous about sending that marked-up document as you are about receiving it. I want you to feel that hiring me to edit your manuscript was one of the wisest decisions you’ve made on your path toward publication.

What I don’t want is for you to open the document, take one look at all the red lines, close the document, and give up—on you or on me as your editor.

The shock of seeing an edited manuscript can be especially overwhelming for writers. #writetip #editing #editingtip Share on X

I know the shock of seeing an edited manuscript can be especially overwhelming for writers who have never hired a professional editor before. I try to mitigate the shock in several ways in my cover letter; I explain the nuts and bolts so you understand how I use Microsoft Word’s track changes and comments features; I also explain my method for “talking” to you in the text itself. I point out the strengths I find in your manuscript as well as recurring issues you might not be aware of, like a tendency to overuse a phrase or too many dialogue tags. Above all, I try to be encouraging and convey both my respect for your author’s voice and my goal of helping you create the best manuscript possible.

I also write that my suggestions are just that—suggestions—and the ultimate decision about whether or not to accept them belongs to you, the author.

But I know how it can feel when you open that document and see a sea of red. Somehow, you just weren’t expecting to see that many corrections and suggestions.  As author Rinelle Grey puts it, “Every time I get an edit back, even a sample one, it hurts.”

Here are some points to remember when you look at a professionally edited manuscript:

  • This Is a No-Judgment Zone: When you read through your editor’s comments and look at each change he/she has made, keep in mind that the editor is judging the manuscript, not you. As one author writes, “Editors’ comments are to be taken as constructive feedback, not as an insult. Too many writers get defensive and claim that an editor has it in for them, when that is certainly not the case. . . . A good editor has to be able to justify every change or comment she makes. If an editor puts a comma inside of quotation marks, it may seem like a small, nitpicky change. But there’s a legitimate reason. They’ll gladly explain their reasoning.”
  • We’re All in This Together: When I’m working with an author, I’m wearing my team-member hat. My goal is to make your work shine, so every correction I make, every word choice I query, every comment I add have the same goal: to help you polish every sentence to make it the best it can be.

One of the reasons I always offer a no-obligation sample edit to a potential author/client is to take away some of that edited-manuscript shock. In addition to having a way of determining if I’m the right editor for you, a sample edit prepares you just what “editing” means for your manuscript.

Editors who do nothing are great for an author’s ego. But, believe it or not, there are errors in your manuscript—of internal logic, of grammar, and of sense. There always are. Trust me, you don’t want your readers (or reviewers) to point out your mistakes.” (Thanks to Erica Verrillo at Publishing and Other Forms of Insanity for that quote.)

  • You Are Now a Stronger Writer: One of the benefits of having your manuscript professionally edited is that you learn a great deal about writing in general and your own writing in particular. It’s sometimes difficult to accept that someone else’s suggestion for structuring a sentence does make for a stronger sentence, but don’t get hung up on “winning.” A good editor is one who doesn’t just follow a set of rules; a good editor puts his or her own ego aside and works with you to strengthen your voice and style. As Erica Verrillo writes:

Don’t slavishly follow every suggestion. Use your judgment. On the other hand, don’t, don’t, don’t tell them to sod-off—even mentally. They may be right. Take a step back from your manuscript, take a deep breath, and then exercise your skill as a writer. Make your manuscript shine as only you can—with their guidance. If the editor is good, the final product will be well worth it.”

As you review your edited manuscript, don’t be afraid to question anything you don’t understand. Wondering why “affect” was changed to “effect”? Confused by the comment “passive voice”? Unsure about deleting that entire paragraph the editor marked as “redundant”? Ask. Ask lots of questions. Be sure you are comfortable with the suggested changes before you accept them, and be sure you understand what the editor is suggesting or querying and why. Your WIP will be a better read for it, and I’ll bet your next manuscript won’t come back with as much red as the first one did.

I’d love to hear about the first time you opened an edited manuscript: were you concerned by all the red lines? Did you expect as many changes? Did you feel the editor respected your voice? And if you’ve been through the process more than once, what advice would you offer a fellow writer who is ready to hire an editor?

Happy Writing,

Candace

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

 

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

 

Keep Your Readers Reading: 4 Easy Ways to Improve Sentence Structure

improve sentence structureConstructing a variety of sentences to keep your reader interested is a challenge every writer faces. If you are like most writers, your “personal style” includes some overused sentence structure.

In Self Editing: Put Your Book on a Diet, I discussed the importance of deleting unnecessary words; another important part of the revision/self-editing process is making sure your sentence structures are varied . . . but sometimes writers create new problems for themselves in the quest to vary sentences.

Let me explain.

As a freelance editor, I work with writers who have varying levels of experience. In the course of a month, I usually do some coaching, evaluate manuscripts, proofread a novel, and copyedit a proposal. In almost every case, I find that the writers have specific tendencies to overuse words and phrases or to construct most (or at least too many) sentences in a similar fashion.

Now, look at those last three sentences. Can you identify the common sentence structure I used? (Cue “Final Jeopardy” theme.)

Have you tried these four easy ways to improve your sentences? Share on X

Time’s up!

If you identified “overuse of introductory dependent clauses,” you win! (Sorry, no valuable prize, but you DO have the satisfaction of knowing grammar geeks will welcome you into the club.) I know that particular sentence structure is one I tend to overuse, so when I revise my writing, I’m always on the lookout for ways to restructure those sentences. A few sprinkled in every so often are great, but when the majority of my sentences have the same format: Zzzzzzzzzzzz . . .

(By the way, one of the best ways to learn to spot your own writing gaffes is by editing other writers’ writing. I wrote about that here. Try it—you’ll be amazed how much your own writing improves!)

Sentence construction should almost never be the same throughout a paragraph. That’s boring for the reader, and it’s a sure sign that you need to do some revising.

Here are some other common writing faux pas:

  • Overused words: All writers have their favorite words, even if they aren’t aware of them. I recently edited a manuscript with a great deal of clever dialogue, but more than half of them begin with “Well . . .” Every main character and most of the minor characters begin at least half their sentences that way: Zzzzzzzzz.

Lynn Serafin at Spirit Authors wrote about this in her excellent series on self-publishing:

This part of the process can be a real emotional journey for an author, especially if they have never worked with a good editor before. You might wonder why the editor didn’t do this herself. I’m glad she asked me to do it because a) it gave me the chance to decide which instances of these words should stay or go and b) it helped me improve as a writer. I notice that I am much more mindful of my ‘filler’ words since being challenged by my editor to address this issue.”

  • Dangling Modifiers: These are especially fun to include if you want to give your editor a good laugh. What is a dangling modifier? It’s a descriptive word or phrase (a modifier) that is separated from the noun or noun phrase it is supposed to be modifying. This often happens when the modifier is tacked onto the beginning or end of a sentence.

    Dangling Modifiers Lead To Slippery Pedestrians
    Dangling Modifiers Can Lead To Slippery Pedestrians (Photo credit: jaydoubleyougee)

Here are some examples:

  • Almost two feet tall, he hurled himself over the coffee table. (He’s awfully short, isn’t he?)
  • Returning home, the fire was still burning out of control. (Did the fire run out for a quart of milk?)
  • Knocking on the door, the package sat where the delivery man dropped it. (What a clever package—it can announce its own arrival.)
Tips for revising your manuscript on a sentence level. Share on X
  • Comma Splices: Our dear friend the comma is often asked to do more work that it was designed to do. Connecting two independent clauses with a comma but no coordinating conjunction or punctuation is one form of a comma splice. Here’s an example:
  • I can’t believe you brought me here, I have postponed it for so long, this is an awe-inspiring place, my sister would have loved it here.

There are a number of ways to fix this type of sentence. You can add coordinating or subordinating conjunctions, make dependent clauses out of one or more of the independent clauses, use different punctuation, or revise the sentences to add some variety to the structure. And, of course, you could use almost any combination of the above.

  • I can’t believe you brought me here. I have postponed it for so long, but this is an awe-inspiring place; my sister would have loved it here.

OR

  • I postponed coming here for so long. This is an awe-inspiring place, and my sister would have loved it. I can’t believe you brought me here.

OR

  • I have postponed coming here for so long that I can’t believe you brought me. This is an awe-inspiring place, and my sister would have loved it here.

You’ll keep your readers reading if you use a variety of the four basic sentence constructions:

  • Simple sentences
  • Compound sentences
  • Complex sentences
  • Compound/complex sentences

Mixing up the order of the clauses, adding coordinating or subordinating clauses, removing dangling modifiers, and eliminating extraneous words are important parts of the revision process. When you utilize different approaches to address the subject of each sentence, your writing will guide your reader to share your vision through your mastery of sentence construction.

What is YOUR biggest challenge when revising on a sentence level? I hope you’ll share your thoughts in the comments!

Happy Writing,

—Candace

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.