Category: editing

Spend Today in the South of France: Christa Wojo's The Wrong David

the-wrong-david-kdp-cover-4I had the privilege of editing The Wrong David, a novella (or is it a long short story?) by the always-fascinating Christa Wojociechowski several months ago, and I was so excited to learn yesterday about its publication that I raced over to Amazon.com to purchase it—and I urge you to do the same.

Christa shares her experiences of tackling Amazon’s KDP and CreateSpace for the first time (spoiler: not as difficult as she feared), and if you’ve never uploaded a manuscript before, you’ll want to read her description of her journey to publishing.

And speaking of description—reading The Wrong David is like taking a minivacation to the south of France. Here’s a peek: Continue reading “Spend Today in the South of France: Christa Wojo's The Wrong David”

An Editor’s Skill Set, Part III: Feedback

editor feedback

Anyone who writes knows how much work it is—in fact, the better the writing, the more likely that writer has spent many hundreds—even thousands—of hours working to hone his or her skills. Yet, no matter how experienced the writer, one skill in particular that must be honed (but is often undervalued) is the ability to learn from constructive criticism. Unless your writing is hidden away under lock and key, you need a thick skin: as a writer, you need to learn how to deal with feedback.

In this final part of a three-part series on an editor’s skill set (If you missed them, here are Part I: Research, Observation, and Brevity and Part II: Accuracy and Honesty), I’ll share my thoughts about how your resilience as a writer relates to the editing work I do.

Continue reading “An Editor’s Skill Set, Part III: Feedback”

Reading Challenges of a Visually Impaired Writer in the Digital World: Guest Post by Kerry Kijewski

Visually Impaired Writers

I recently met author Kerry Kijewski on my Facebook page. She commented that she really enjoyed the writing- and publishing-related posts on my page, but she couldn’t always access the links because she is blind. After some back-and-forth discussion, I learned that if I just added the links to the comments section, Kerry could access them with her reading software for visually impaired writers.

That conversation got me thinking about the other accommodations a blind reader/writer might need, so I asked Kerry to share her thoughts with us. Before I met her, I’d never considered how technology helps or hinders the creation and consumption of digital content. Now I know a bit more, and so will you:

Kerry Kijewski @TheIWanderer talks about the challenges of being a visually impaired writer. #blind #writers Share on X

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I was born blind, but I had enough sight when I was younger to read and write large print. In the beginning days of computers I could use large print magnification programs. That seems like another lifetime to me now.

Over time my sight worsened to the point where I was unable to read a screen at all. I had no choice and moved to speech programs, one in particular called JAWS.

I learned braille when I was very young, at the same time I learned how to read print. I used them in unison until my vision worsened and I was strictly a braille user. Braille is less and less common these days with technology everywhere, but braille displays are still used. These are devices that produce electronic braille, like little typewriters. They can be connected to computers and used wirelessly with most phones and other devices.

A few years ago I moved to Mac and I now use my MacBook laptop to write my blogs and search the Internet. The speech program Mac uses is called VoiceOver and is built right into the operating system. This allows better function than others such as JAWS.

I discovered iPhone a few years ago and have been hooked ever since. Again the VoiceOver is built right in and all I had to do was go into “Settings” to activate it. I touch the phone’s screen and move my finger around, from App to App. The phone speaks as my finger moves and I double tap where I want. I am able to text and type with the touch screen keyboard.

As a blogger, writer, and book lover, I seek out people and resources that relate to these things. I came across Change It Up Editing and Writing Services and Candace, and I am glad I did. I was pleased to find a warmth and personal connection from the start. I hesitate sometimes to lead with my blindness and the problems that can cause because I don’t like to seem like a nuisance. When I wanted to read her helpful posts about writing, I found I was often unable to click on the links, mostly on my iPhone. I don’t pretend to understand why it works sometimes and not at others, but I believe it has something to do with screen shot vs. strictly a link. I am glad I spoke up and let Candace know that I was only able to click on her posts if she put them as a link in the comments. She has continued to do this ever since, and I very much appreciate that she took the time to listen to my concerns, but she never would have known if I hadn’t spoken up and explained it to her.

A lot of the Internet is visual. Photos and images are everywhere. This is the part of the Internet I am unable to access. Many sites are not set up to interact with VoiceOver. A mouse is useless to anyone without sight. The keyboard shortcut keys and commands work out most of the time. Sites aren’t set up for strictly keyboard commands. Maybe in the future they will take blind people into account when designing their websites, but Instagram is a reality and phone cameras are everywhere. The world is sighted and visual. I try my best to work and live alongside this world and to make technology work for me as best I can.

I am a shy person by nature and am always learning to speak up more for myself. Writing is the best way I have found to express myself and make my voice heard. I don’t wish to be defined by my disability, preferring to focus on what I have to offer the world. However, I am not ashamed, and I hope to educate people on these things they might not otherwise come across in their own lives. There are plenty of stereotypes out there about people with disabilities such as blindness. I hope to do my part to dispel such myths and make a difference and find a way to contribute to society in a positive way.

I use my ability to express myself through words to let people know I am here and I have something to offer the world. I fear that I won’t fit in and that I will be lost in the mix. I think I face all the same worries and fears about putting myself out there through my writing as anyone else. Some fears are universal. Writing is a frightening thing because you must open yourself up and let people in. It is a risk. I try not to hide behind my words, but instead to open up and be myself. I use words to let the world know who I am and what’s in my heart.

I want to thank Candace for giving me this opportunity to share my story here.

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Kerry Kijewski has a Certificate of Creative Writing and is working on her first novel, which she started writing during NaNoWriMo (National Novel Writing Month).

  • Visit her blog: kkherheadache.wordpress.com
  • Follow her on Facebook: facebook.com/herheadacheblog
  • Connect with her on Twitter: @kkherheadache
  • She’s also on LinkedIn: Kerry Kijewski

 

Thank you, Kerry, for sharing your thoughts. I’m glad you let me know how to easily share information with you, and I invite everyone to visit your blog at http://kkherheadache.wordpress.com to learn more.

—Happy Writing,

Candace

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be. Learn more here.

For more great writing and publishing information, check out Change It Up Editing and Writing Services on Facebook, where I share interesting articles and links about writing and publishing.

Join Me at "Her Headache" for a Guest Post About Becoming a Freelance Editor

Becoming a Freelance EditorI recently met author Kerry Kijewski when she visited my Facebook page, and she was kind enough to invite me to guest blog at Her Headache. I invite you to join me there to learn a few never-before-shared tidbits about becoming a freelance editor and my personal philosophies. You’ll read about my involvement with the Chicken Soup for the Soul franchise, how I began working in the editing field, why I left traditional publishing, and how I’ve dealt with, er, “difficult” authors.

How I began working in the editing field and why I left traditional publishing. #editing #amediting #publishing Share on X

Here’s a preview:

Most of the posts on my own blog are for writers about the writing and publishing, so I was pleasantly surprised when Kerry invited me to guest blog and answer some personal questions. While I’ve written about myself in terms of my work as a professional editor (as in this post), I haven’t written too much about my background or my personal philosophies. Kerry asked some great questions, so here goes:  

“I read something on your website about your involvement with the Chicken Soup for the Soul books. I used to love those when I was a kid and always dreamed of writing something and having it published in those. What was your role?”

Like most people, I’d heard of the Chicken Soup for the Soul franchise, so when I applied for an internship with their book publisher, I looked forward to learning more about anthologies in general and those books in particular. You can imagine my thrill when I was invited by to try my hand at writing back cover copy and catalog copy for several of the books in production that season—and my greater thrill when most of my copy was used!

During my internship, I tried my hand at many publishing tasks and found I was a pretty good proofreader. At first, I only did second proofs; a more experienced proofreader did the first proof pass, and I was the “clean-up” proofreader. After I finished my internship and graduated, I continued to work as a freelance proofreader for a year before I was offered a position with the same publisher as assistant to the managing editor. Over the course of those several seasons, I proofread several more Chicken Soup books as well as many others.

Several years later, the franchise was sold, and the publisher I worked for was no longer involved, but the editorial director recognized the popularity of anthologies (A Cup of Comfort was a popular, competing series) and lobbied for creating a series to replace Chicken Soup. That series became the Ultimate Books, and I was tapped to be the project manager for one of the first titles in the series, The Ultimate Teacher. Working on that first project was the epitome of trial by fire; I learned so much from putting that anthology together.

I continued to build on those skills over the next few years as I worked on several more titles in the Ultimate series and later began acquiring my own nonfiction list. The variety of jobs I handled and the skills I learned is quite varied, so I’ll save that discussion for another post, but suffice it to say I had quite an in-depth education.

“When did you start your own editing business and what made you want to try going out on your own?”

My passion has always been working with writers and their words, and sadly, the economics of traditional publishing caused my job to morph into something that left me little time to do that. My days were spent on many things other than editing, and I grew more and more frustrated.

I finally realized that if things were going to change, I would have to be the one to change them.

So I did, and I’ve never looked back. Was it scary? Yes, it was. But in hindsight, I only have one regret: I wish I’d done it sooner. Becoming a freelance editor and writer is one of the best decisions I’ve ever made.

Finish reading the full interview here.

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be. Learn more here.

 

 

An Editor’s Skill Set, Part II: Accuracy and Honesty

Writing requires a set of skills that took you years to perfect. Many skills I use in my work as a freelance editor are skills I have honed over the years, too. In Part I of this series, I discussed Research, Observation, and Brevity as they relate to the editing work I do for authors. Today I’ll like to talk about Accuracy and Honesty, two personal attributes that I consider important skills when writing and editing.

Accuracy

Many people don’t realize how much background work is involved in bringing a manuscript to publication. Copyediting (sometimes called line editing) includes fact checking, which can be a time-consuming process, especially for nonfiction work. Even works of fiction require fact checking; for example, if one of your characters plays basketball, I’ll check the spelling of terminology—three pointer or three-pointer? Consistency matters, too: If that character was 6’1” in one chapter and 5’11’ in a later chapter, I’ll bring that to your attention. As a freelance editor, I work diligently to be sure my client doesn’t publish inaccurate or inconsistent information, and that includes everything from the spelling of a corporate name (Wal-Mart or Walmart?) to correct citations (Wikipedia is not considered a reliable source for citations, by the way).

Honestyeditors-honesty

Fitting hand-in-glove with accuracy is honesty. Sadly, sometimes writers don’t understand their obligation to cite an idea that came from somewhere else, and instead they write as though a concept is their own, original idea, or worse, they copy a phrase or paragraph and change a few words here and there to “make it their own.” If you don’t know how to properly present someone else’s words or ideas, I can help you do so.

Many nonfiction authors use chapter opening quotations in their books, so I verify the accuracy of those wordings—and the spelling of the contributor’s name—whenever possible. (If I had a dollar for every time I saw Mother Teresa’s name spelled Mother Theresa . . .) Continue reading “An Editor’s Skill Set, Part II: Accuracy and Honesty”

An Editor’s Skill Set, Part I: Research, Observation, and Brevity

Unless you have a young child who is learning to read, you probably don’t give much thought to your ability to read . . . but that skill took years of training and practice to develop. Writing requires another set of skills that took years to perfect—first printing, then learning cursive, and finally for most of us, learning to type.

I also find that many skill sets I use in my work as an editor are skills I have honed over many years of writing and working not just publishing, but in every career I’ve had. I’d like to talk about three of those skills in relation to the editing I do for authors, and I think you’ll agree they are basic skills for every writer, too.

Research

editor's skills
Image courtesy of Stuart Miles / FreeDigitalPhotos.net

Confession time: I still miss library card catalogs. (I know you’re laughing at me, but I really do!) There was something so satisfying about flipping through those cards, finding just the right connection to the information you were looking for, and zeroing in on the book or encyclopedia or microfiche that promised to hold the secret treasure.

Continue reading “An Editor’s Skill Set, Part I: Research, Observation, and Brevity”

"All About Editing" or How an Indie Author Made My Day

What Authors Should Expect from Professional EditingLast spring, I received an email from a writer who was looking for an editor for his novel. He’d read my blog post, How to (Almost) Instantly Improve Your Writing, and wrote,

I have to agree with what you said about how writers can’t afford to NOT use a professional editor. Which is why I’d like to know about your services, procedures and prices for editing a full-length novel. . . . My book, The Man of Nightstone, clocks in at over 110,000 words. I really want to make my novel the best that it can be . . . hopefully at a reasonable price.”

After a few email exchanges, we decided to have a telephone conversation. Like most first-time authors who seek professional editing, Devon had many questions about what an editor can and cannot do as well as what an author should and should not expect. Devon had many concerns because he’d previously hired an “editor” and had been burned by broken promises, poor results, and money out the window.

Continue reading “"All About Editing" or How an Indie Author Made My Day”

Need Your Book Edited? Don’t Fall for a Snake-Oil Salesman

why hire a freelance book editor
© 2012 Hugh MacLeod’s gapingvoid

If you’ve searched the Internet looking for an editor for your book, you’ve probably come across a few of the more unusual editing “services” available. Unusual isn’t bad, but in some cases, unusual is definitely NOT good for authors.

One blogger I found by accident runs a membership site that proposes to save authors money on professional editing by trading editing with other members; in other words, you and another writer edit each other’s books, thereby eliminating the cost of having your manuscript professionally edited.

What’s wrong with that? Nothing, as long as you understand that the chance of getting a professional edit of your work that way is slim to none. In reality, this service is a beta-reader service, which is very useful in its own right—but let’s call it what it is. I’ve written about my enthusiasm for beta readers here, and I personally encourage my clients to use them before they hire me or any other professional editor for their WIP.

But beta readers are no substitute for professional editors or proofreader.

Beta readers are no substitute for professional editors or proofreader. #writetip #editingtip #amwriting Share on X

“Oh, come ON, Candace,” I can hear you say, “I’ll still get editing, plus I will save hundreds of dollars on editing costs.”

No, you won’t. You won’t get editing; you’ll get critiquing. Maybe even really good critiquing, if the writer assigned to your manuscript is good at it. But what if that writer’s comments are more in line with what your teenager’s best friend would say about your writing: “Really, really good story. I like the part where the werewolf turns into an alien and falls in love with the librarian. But I got confused about who was talking, so you should put ‘he said’ and ‘she said’ after every sentence of dialogue.” Oh yes, that is helpful editing. Not.

And you won’t save money in the long run. Remember the old adage, “It takes money to make money”? If you skimp on editing, you’ll spend more time and money in the end—you can read about one of my clients who did that here.

“Snake-oil salesman” is a term that has come to refer to someone who sells a product that has a questionable benefit. As a professional editor, I believe this particular company is run by a snake-oil salesman, one who hopes to get your money by promising you a product that just isn’t available. And in the end, you are the one who pays the price—in lost sales, a tarnished reputation as an author, and poor reviews. Continue reading “Need Your Book Edited? Don’t Fall for a Snake-Oil Salesman”

Writer Separation Anxiety: Guest Post by Eva Lesko Natiello

One of my new favorite authors is Eva Lesko Natiello. I had the privilege of editing Eva’s debut novel, The Memory Box, and let me tell you, it’s quite a story! I’m so excited for everyone to read it that I have to share the back cover blurb Eva’s been working on:

Caroline Thompson doesn’t engage in the pettiness that fuels the gossipmonger moms of affluent Farhaven. She pays no mind to their latest pastime: Googling everyone in town to dig up dirt for their lively Bunco babble. When Caroline’s told that her name appears only three times, she’s actually relieved. Then a pang of insecurity prods Caroline to Google her maiden name—a name none of them know. The hits cascade like a tsunami. But there’s a problem. What she reads can’t possibly be true. Every mention is shocking, horrifying even. Worse yet, they contradict everything she remembers.  Divulging this to anyone could be disastrous. Caroline is hurled into a state of paranoia—upending her happy family life—as she seeks to prove the allegations false before someone discovers them.

Be careful what you search for.

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I had so much fun working with Eva that I’ve invited her to guest blog several times in anticipation of her book’s publication; you can read the first two guest posts here and here. If you’ve enjoyed those, you are in for a real treat, because Eva’s sharing her version of what happens to a writer when the novel is finished. 
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ID-100144489It’s time we admit that Writer Separation Anxiety is a bona fide disorder. I’m not ashamed to say I have it; maybe others will come forward. Remember, there is strength in numbers. It may not afflict the majority of writers, but that doesn’t make us freaks.

Why do you think there are so many sequel writers?

It’s true that most writers are ecstatic to finish a manuscript. However, when I wrote The End of my novel, I was bereft.

Writer Separation Anxiety - desperately missing your characters after finishing your book. #writerproblems #amwriting Share on X

What would become of Caroline, Andy, Lilly, all my characters? We’d been together for so long. I spent more time with them than with my real family. What would I do now?

That first morning after The End was the hardest. Time to get reacquainted with my LBTB (Life Before the Book). During the manuscript’s third edit our kitchen became depleted of anything edible. Grocery shopping was now long overdue. A chore would be good. It would keep me busy. No time to pine.

photo by Williac
photo by Williac

At the store, I strolled down the cookie aisle. Bad idea. There were Oreos everywhere. You can’t dodge a cookie with 17 varieties. I told myself to stop thinking about Andy; he’s not real. Oreos were his crutch food. The night he and Caroline got into a chandelier-trembling argument (Chapter 6) he ate 2 sleeves of Oreos with a quart of milk. Any other guy would’ve gone out and gotten bombed with his buddies. Not Andy; he plopped on the couch (which he’d later sleep on) and ate 28 cookies. I hated that night. I hated when they fought. A friend of mine accused me of being secretly in love with Andy. Which is complete hogwash. I’m married! Continue reading “Writer Separation Anxiety: Guest Post by Eva Lesko Natiello”

Hiring an English Major to Edit Your Book Is Cheating Yourself

In a recent online discussion among freelance editors, one  hiring an english major to edit your booktopic that elicited many comments was about pricing the work we do.

The initial post was by an established and well-respected editor who wrote, “I recently was asked about my rates by someone at a local company who was looking for writing and editing help. She balked at my quote . . . Her response: < … we can find English majors for $10 to $15 [per hour] and many of them are quite good. >”

I get it; no one wants to spend more than necessary for anything—goods or services. I mean, if I can buy a knock-off designer widget that looks just like the brand-name widget, isn’t that a better value than buying the real thing just for the brand name? If I can get my next-door neighbor’s artistic son to design my book cover, isn’t that a better value than hiring an expensive professional cover artist?

And if I can get an English major to edit my book for a few hundred dollars, isn’t that a better value than hiring a professional editor? Continue reading “Hiring an English Major to Edit Your Book Is Cheating Yourself”