You have a fantastic idea for a nonfiction book (or perhaps you’ve already written one), and because you want to publish traditionally, your next step is to write a proposal to sell agents and/or editors on your idea.
When I was an acquisitions editor for a traditional publisher, I read hundreds of nonfiction book proposals. Like every other publishing professional does, I read those proposals in a certain order—but not necessarily in the order the author presented the material. (Find a list of the other sections of a nonfiction book proposal here.) When I write a book proposal, I begin with the author’s bio because this is the section I think of as the hub of the wheel; all the other sections are spokes on that hub.
In fact, there is no “right” way to order the sections of your proposal, so I’m going to present the remainder of this ten-part series the way I actually read and write book proposals.
In a previous post, I shared some of the reasons that went into my decision to become a full-time freelance editor a little over a year ago. I had a dream that I could make a living by editing for authors I truly cared about, and I’ve turned that dream into a reality. When I posted that blog, I received numerous comments, including this one that inspired the post you’re now reading:
“Have you ever turned down an editing assignment? What parameters do you set for yourself in considering assignments? For a brief time when I considered going full time freelance, the fear of having to take any and all assignments always brought me up short. Currently I have a day job that I’m happy with, but I’ve always wondered how freelancers manage their workload. Personally, I know that if I were totally reliant on freelance work, I would find it impossible to say “no” to anything.”
“Have you ever turned down an editing assignment?”
Yes, I have. I always offer a sample edit to authors who are looking for line editing or proofreading; occasionally, a writer who swears his manuscript needs nothing more than a spell check sends a sample that is clearly in need of more substantial editing.
If a manuscript is so full of major flaws that it reads more like a first draft, I won’t take the job. Correcting grammar or misspelled words won’t help a manuscript that is in need of major revision, and I would rather lose the work than take someone’s money when I know I am not really helping him or her. Continue reading “Dream a Dream: Life of a Freelance Editor”
Here’s a way to celebrate the end of 2012 that can also help your writing: a list of synonyms for “said” on a bookmark that was created for the National Day on Writing 2012.
Print this on card stock, and you’ll be the proud owner of a useful reading and writing tool, courtesy of artist Ginny Millard at www.banyantreestudio.com. Please visit Ginny’s website, and be sure to let her know how much you appreciate having all these fantastic word choices at your fingertips. Now you’ll have extra time to write . . . or to celebrate a little more!