Indie Publishing Done Right

The title of this post caught my attention. Then I saw the cover. Then I had to read the post. And now I must share it.

'We talk about self-published and traditionally published, but I think there’s a third category.' #selfpub #indieauthors Click To Tweet
Cari Noga’s novel SPARROW MIGRATIONS – indie publishing done right
Cari Noga’s novel SPARROW MIGRATIONS – indie publishing done right

Reblogged from Starlighting Mama (Heather Shumacker):

The number of books published each year is boggling. Last year 200,000 new books were released. And that’s only counting traditional publishers. 400,000 self-published books were launched, too.

We talk about self-published and traditionally published, but I think there’s a third category:

 Self-published Books Done Right.

There’s really only one fault self-publishing has.  It’s too fast and easy.  Too fast and easy simply because writers are impatient and rush their books out into the world without ensuring quality.

That’s not the case with author Cari Noga.  Cari published Sparrow Migrationsa novel centered about the “Miracle on the Hudson” plane crash.  It features a boy named Robby who has autism and becomes obsessed with the birds involved in the accident.  Cari does self-publishing right.

Here’s why Cari’s book deserves to be recognized in a class of its own, along with other quality, independently published books.

She hired editors  Cari hired two editors to read, revise and copyedit her book.  This is the treatment a traditionally published book receives: professional editing and copyediting that boost a book’s quality. (Read more here)

3 Things You Shouldn’t Hire an Editor to Do

3 Things You Shouldn’t Hire an Editor to Do
Don’t waste your money–read this article first!

When authors contact me about editing, they often don’t even know what they need. They know they should hire an editor at some point, but many are confused about terminology like developmental editing, copyediting, and proofreading. But there is SOOOO much a writer can do before paying an editor for his or her expertise—and I’d like to show you three ways to not only save your money but get the most bang for your editorial buck.

1.    Don’t pay an editor to edit your first draft.

No matter how brilliant your ideas are, or how beautifully you phrase them, do some serious revising before you hire professional help. Learning to revise your work is an important part of becoming a professional writer. Get rid of those extraneous words, the fluff that doesn’t say anything, the character who doesn’t advance the story. Consider every word, every sentence, every paragraph. There is no point in hiring a copyeditor to clean up work you may later delete in a revision.

Don’t pay an editor to edit your first draft. #editingtip #amwriting #selfpublishing Click To Tweet

2.    Don’t expect an editor to provide a service other than the one you’ve contracted for.

Your manuscript may need different types of editing help at different stages of your writing process. When you hire a developmental editor, you hire someone to help you with the big picture, not small details like punctuation. When you hire a proofreader, don’t expect help with your story arc; a proofreader is looking at details (like that pesky punctuation the developmental editor didn’t care about). If you’re uncertain about the type of editing help you need, ask me—I’ll be happy to help you figure it out. I’m here to help you make that book, newspaper article, blog post, advertising flyer—or anything else that strings together those amazing, marvelous things called words—sound as perfect and professional as it can be.

3.    Don’t hire an editor to tell you what you want to hear.

You are the author, and you have the right to disagree with your editor. You always have the right to ignore his or her advice and reject suggested changes. But if you engage intellectually in the editing process, you’ll find your writing improves and your ideas crystallize as a result. Remember that your editor hasn’t lived with your ideas, plot, or character—and that’s one of the reasons why you hired him or her to work with you. It is difficult to be objective about your writing when you are so close to it, so really consider every suggestion—then discuss your ideas and concerns, and make your editor your partner in creating the very best work you are capable of writing.

My love affair with words is the best tool in your arsenal as a published author. You came up with fantastic ideas, and I’ll help you make sure they come across the way you want them to. I love words, and I’d love to play with yours. Email me at cyjohnson5580@gmail.com, and let’s discuss how I can help you.

Happy Writing!

—Candace

 

Image courtesy of Vichaya Kiatying-Angsulee at FreeDigitalPhotos.net

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Show, Don’t Tell

When I read a post on someone else’s blog that explains a concept in a way that makes me think I wish I’d said that, I just have to share it here. This article by Oliver Gray is a wonderful exposition of literary devices you can use to help you bring your imagery to life. I hope you’ll visit Oliver’s blog at Literature and Libation to read the entire article.

Literary devices you can use to help you bring your imagery to life. #writetip #amwriting Click To Tweet

Imagery innervates your writing, takes it beyond yawing generalities and into the visceral, blood-soaked details. It is how, using your words and syntax and imagination, you create the world of your story in your reader’s mind. It engages all of the senses: vibrant, blinding colors; pungent, wafting smells; coarse, sandy textures; plunking, rolling sounds; sweet, buttery tastes.

The piece of advice I’m sure you’ve heard even more times than “Cliche? Run away!” is “Show, don’t tell.” It’s another easy one to regurgitate into the awaiting mouths of nutrient-starved writers, but it is often misunderstood.

The idea is that you need to show an emotion or character trait or some other important facet without just telling your reader explictly what that thing is. It’s the difference between, “Carol fidgeted, her eyes darting towards the door ever few minutes” and “Carol was nervous.”

What makes the first one showing and the second one telling? Images. Imagery. Figurative language. Pictures drawn with words and forcefully placed into the reader’s brain through his eyeballs.

It’s that simple. Showing comes down to using effective imagery in your writing. There are no other magic methods or secret spells or ridiculous riddles. If you’re getting a lot of feedback saying, “show, don’t tell!” with no other qualifications, re-interpret that as, “I couldn’t really picture this correctly, and it gave me pause.

When you start replacing abstracts and generalizations with concrete images that your reader can easily turn into a video of the action in their head, the problem of showing verses telling suddenly, as if by some divine writing miracle, disappears.”

This is just an excerpt from Oliver’s longer article, and it’s packed with great information so I hope you’ll visit and read more here.

Happy Writing!

—Candace

10 Reasons You Need an Editor for Indie Publishing

There are many reasons why you should invest in professional editing when you are self-publishing; here are ten of them:copyedit photo

When Michael Jordan was asked how he became the best basketball player in the world, his answer was “I had great coaches.” And in the same way, great writers have good editors behind them. A good editor can help make the difference between a book that should be used as fireplace kindling and one that rivals any traditionally published bestseller.

Editing is a specialized skill set; just because someone can find typos doesn’t mean he or she is a good editor. When you are considering independent publishing, it’s important to gather a professional team that helps you raise the bar on your work and create a final product that is something you can be proud of.

Great writers have good editors behind them. #editingtip #writers #selfpub Click To Tweet

Here are 10 reasons why you need an editor if you plan to self-publish:

1. You are new to the publishing business.
The publishing world is in a transition, and whether you hope to self-publish and catch the eye of a literary agent or publisher or you just want to maintain more control over your product and your income, you should partner with professionals who know the publishing world and can guide you through unfamiliar details, such as the legalities of using song lyrics or how many words are “standard” in your genre.

2. You have a great idea but don’t know how to organize it into a book.
Experts in psychology or medicine, food, local history, and other unique fields often use a professional editor to help them shape their ideas into a salable manuscript that will appeal to lay readers. Memoirists often struggle to move their work past the point of sounding like diary entries; a professional editor can help focus your writing to create a compelling memoir that readers will devour like a novel. Fiction writers can partner with an editor to flesh out details and elements such as plot, characterization, dialogue, and setting.

3. You’ve self-edited your work and are ready to move forward.
Your friends, your relatives, and your former English teacher will all give you wonderful support and advice, but they’re not going to approach your manuscript with the eye for detail that an editor brings to your work. A professional editor’s primary connection to the book is through the manuscript itself, not through you personally. A good editor represents the eye and ear of the reader and brings a viewpoint that is often more nuanced than that of your supportive friends and family. Each time you return to your manuscript, you see it a little differently. Self-editing multiple drafts is something every writer should do, but returning to a work with notes from a professional is a way to maximize your efforts.

4. You have poured your heart and soul into your work, and it is difficult to be objective about it.
Even after you’ve self-edited, there may be issues you haven’t addressed because you aren’t aware of them. Are there holes in your arguments? Are your introduction and conclusion as strong as they can be? Are your characters three dimensional or flat? Is your story slow to start, or does it move too quickly? You want your book to be strong, clean, professional, appealing, and affect your readers, and an editor can point out the strengths and weaknesses in your manuscript.

5. Your mind sees what it wants to see.
Your brain has a hard time realizing that “weak” is wrong when you meant “week,” or that you’ve received a “compliment,” not a “complement.” An editor will catch these details and find errors that go beyond spelling and word choices. Every writer has a personal pattern of error, such as using the same word too frequently or misusing semicolons, and those are errors you won’t even notice—but an editor will.

6. Grammar isn’t everyone’s strong suit . . . and even if you’re good at it, grammar isn’t the only thing that can trip you up.
If you unknowingly overuse pet words, or if your writing is wordy or repetitive, an editor will point out those errors. Spell-check and grammar-check software can actually make things worse instead of better. While these features are a good place to start, they are not nearly as accurate or as skillful as a good editor. And editing goes beyond grammar, spelling, and punctuation mistakes. You want to be sure that no questions go unanswered, all necessary information is included, and, of course, that no libelous or inaccurate material is published.

7. You want to create a final product that is something you can really be proud of.
An editor can help you raise the bar on your work by giving you critical feedback that often will improve your work beyond what you might have been able to do on your own. This can lead to more positive reviews and help you gain credibility as a professional writer and expert in your field.

8. You’ll become a better writer through the learning opportunity of working with a professional editor.
Self-editing is an essential part of a writer’s craft. Working with an editor is a chance to hone and improve your own self-editing skills. Even when your friends point out mistakes, it’s not unusual to add additional errors when making corrections. An editor will point out inconsistencies, fallacies, prose that is too flowery, or areas of text that could be rewritten to improve flow, all of which help you become a better writer.

9. A professional editor will respect your style and voice while guiding you toward a final manuscript that’s even more “you.”
Authors are often worried that editing will destroy their unique voice; a professional editor not only respects your voice while improving the flow, syntax, and narrative of your work, but suggests ways to make small changes that will help you create an even more polished version of your work.

10. Your book and your professional reputation ride on the professionalism of your editing team.
An author who relies only on self-editing is like a physician who tries to operate on himself. And you wouldn’t dream of interviewing for a job without taking a shower, brushing your teeth, and making sure your socks match; how could you contemplate creating your legacy as a writing professional without hiring someone to edit your manuscript for errors, omissions, and weak writing? A professional editor has an objective viewpoint and will be honest with you about the many ways you can improve your manuscript—yes, even when you think it’s perfect, you’ll be surprised at the things an editor will find.

One of the best investments you can make in your career as a writer is to pay for at least one level of professional editing. Whether you choose to work with a developmental editor, a copy editor, a proofreader, or any combination of the three, don’t make the mistake of thinking you can do this on your own. Skipping the step of working with a professional editor will compromise the quality of your work.

Originally published on Share Your Articles.

 

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And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

 

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

Hope, Healing & Happiness: Going Inward to Transform Your Life

THUMBNAIL_IMAGETomorrow is the official launch of Hope, Healing & Happiness: Going Inward to Transform Your Life by Angela Rose.

Rose is a sexual assault survivor and founder of the national nonprofit PAVE: Promoting Awareness, Victim Empowerment. She will launch her debut book on April 2, 2013 at Penn State Harrisburg at a keynote presentation introduced by Chancellor Mukund S. Kulkarni, PhD, with a book signing to follow.

Hope, Healing & Happiness: Going Inward to Transform Your Life is a short manifesto for finding inspiration, happiness, and fulfillment in everyday life. This step-by-step manual dives in deep by exposing limited thinking and negative self-talk and replacing unskillful habits with gratitude and behaviors that will create inner peace. This book is the perfect companion for anyone struggling to overcoming abuse, illness, or anxiety. It also includes tips for adult children of alcoholics to conquer defensive behavior and communicate more effectively.

I had the privilege of editing this motivational book for Angela, and I am so excited that her dream is finally coming to fruition!

CLICK HERE to receive a free chapter and 20 tangible empowerment tips right now! And please spread the word about PAVE, which does such important work to shatter the silence of domestic and sexual violence*.

*PAVE: Promoting Awareness, Victim Empowerment is a national, grassroots nonprofit. PAVE uses education and action to shatter the silence of sexual and domestic violence including sexual abuse, rape, sexual assault and intimate partner violence. PAVE’s work has been featured on CNN, the Today show, and in Time magazine.

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Media Alert: Angela Rose and PAVE (changeitupediting.com)

PAVE website

Online Critique Karma: Scribophile

ScribophileAfter author JH Mae commented on my post “Critique Groups for Self Editing,” I asked her to share her thoughts about Scribophile, the online critique group she uses. JH was gracious enough to not only write a great guest post, but she also arranged for a special giveaway from its founder, Alex Cabal. Without further ado, here’s JH: Continue reading “Online Critique Karma: Scribophile”

Join Me on the Air

ID-10033526Through the magic of the Internet, you can hear yours truly chatting about writing and editing on Monday, April 1.

I’ll be the guest of author, personal development speaker, and radio host Raeleen Mautner, PhD, who has invited me to be her guest on The Art of Living Well. I had the privilege of editing Raeleen’s latest book, Lemons into Limoncello, which will be out on May 7 and is available now for preorder herehere, and wherever books are sold.LemonsLimoncello

The Art of Living Well is a fantastic show, and Raeleen is a seasoned professional. I, on the other hand, am more comfortable behind the scenes, so the idea of an hour-long radio interview is making me a little nervous—but I’ll do my best not to let that show. At least I don’t have to give a speech in front of a crowd . . . where I’d have to imagine the audience in their underwear (remember that old trick to overcome stage fright?).

Come to think of it, those of you on the East Coast of the US might actually be in your underwear at that time!

Seriously, we’ll be discussing aspects of writing and the editing process, so I hope you’ll tune in and listen. You can listen to a live stream from anywhere in the world. If you’re in Australia, I’ll help you go to sleep, since that will be 11pm your time. In the UK? Join me on your noon lunch hour. And if you’re anywhere else in the world, here’s a link to a time conversion site: http://www.timeanddate.com/worldclock/converter.html.

I hope you’ll join Raeleen and me for what promises to be an entertaining and enlightening hour. See you there!

—Candace

“On Air” image courtesy of Salvatore Vuono at FreeDigitalPhotos.net

Book Publishing Is the New Wild West

Book Publishing Is the New Wild West
Book Publishing Is the New Wild West

Crowd-sourcing, royalty-sharing, publishing your book in chapters . . . Here’s a little perspective from Brooke Warner, publisher of She Writes Press and founder of Warner Coaching Inc.

Betsy Morais wrote a piece for The New Yorker called “A Book Is a Start-Up,” in which she writes about some of the new publishing business models coming out of the Tools of Change conference, three days focused on new publishing technologies and business models.

Morais writes about Tim Sanders, C.E.O. of NetMinds, a company that’s attempting to crowd-source book production. It’s an interesting model, to be sure, but one that will probably end with authors, editors, and designers feeling like they are getting screwed somewhere in the process. The reason I say this is because most books . . . read more.

 

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Why You Must Create a Compelling Book Description

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Question: What’s the most important piece of writing you’ll do once your book is complete?

Answer: The description of your book. No matter how well written your book is, no matter how great your author platform is, no matter how great your marketing plan is, if your promotional copy puts readers to sleep, you just lost a potential sale.

What you say about your book can be as important (and arguably even more important) that what you say inside your book.

What’s the most important piece of writing you’ll do once your book is complete? #selfpub #indieauthors Click To Tweet

The product description you write for Amazon, Barnes and Noble, and other product pages—even your own website—needs to be the best sales copy you can create. Whether readers are just browsing for a book to read or they’re looking for yours specifically (yay!), the interest and excitement you create in that product description will influence whether you gain another reader or not.

Continue reading “Why You Must Create a Compelling Book Description”

Why Writing Well Matters, Even When Your Product Is Free

Writing WellI came across a blog post the other day that I want to share with you precisely because the author is not a novelist, but she is a consumer–the type of consumer who might one day download your e-book.

In this post, Jill P. Viers writes about the overabundance of typos in a free e-book she downloadeda nonfiction book filled with information she says “is valid and fairly useful”yet the book is loaded with errors.

“Why Writing Well Matters, Even When Your Product Is Free” is a post every author should read. Remember: Your book is your resumé; you never get a second chance to make a first impression; save yourself time, money, and anxiety by making sure your book is the best it can be before you publish.

Remember: Your book is your resumé; you never get a second chance to make a first impression. #amediting #editingtip #writers Click To Tweet

*****

I am reading an ebook that I picked up for free when I signed up for someone’s mailing list. The information in the free ebook is valid and fairly useful; however, the free ebook is full of typos and misuses of words. I’m not talking about one or two minor errors. I could get over that. We’re all human. I make mistakes, too.

Notice I keep pointing out that this was a free ebook? There’s a reason, and it’s not an attempt to keyword stuff this post. Some people would ask me, “Why are you complaining about the typos when you got the book for free?”

Here’s the answer: Because I’m still investing my time into reading this ebook. If the author didn’t care enough to proofread, yet this is the author’s “sales pitch” or “can’t miss giveaway” that’s supposed to make me want to hire the author in the future, it’s ultimately a fail for me.”

Read more here.

Happy Writing!

Candace

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