Does “DIY publishing” mean you do everything yourself? Anne Uemera thought it did—until she learned that publishing a book takes a team:
In August 2015, I started to write a book that I eventually published a year later. The project gained momentum in June 2016 when Jim Britt and Jim Lutes, who were creating the international bestselling series The Change, invited me to write a chapter for The Change: Insights into Self Empowerment. While focusing on and creating the content of the chapter with the inspired title Listen to the Cries of Your Heart, I realized I had a whole book to write.
Unlike many authors, I never had dreams of writing a book, and I knew little about how to do it. I didn’t know what an immense project it would be nor the time and effort it would take, and naively jumped in. My lifelong strategies of independence and self-reliance never allowed for any thought of doing it other than DIY, from writing to publishing.
Most writers and editors live on their computers, tablets, and smartphones. Even those who prefer to write or edit longhand often transfer their work to an electronic medium at some point in the process. When things go wrong with electronics, we writers and editors are not happy campers.
As a freelance editor, I probably do 95 percent of my work on screen. It’s faster than editing longhand, and it has the added bonus of saving a tree (printing out a full-length book requires 300–400 pieces of paper). There’s also the instant gratification of working via tracked changes, which allows both the writer and the editor to see suggested edits and then decide which to accept and which to reject. (For more about tracked changes, check out The Shock: How to Survive Your First Round of Editing.)
If you’ve ever met someone you’ve long admired, you have an idea about how thrilled I was last week to meet author Julie Christine Johnson, author of In Another Life.
All week I felt like a teenager anticipating a first date as I waited for Julie’s presentation at Annie Bloom’s Books, an indie bookstore in Portland, Oregon. Although Julie and I met online in April of 2014, and although she had trusted me (a total stranger at the time) with the words of what would become her debut novel, I didn’t know what to expect. Would she be as charming and gracious in person as she is online? Continue reading “Have You Ever Met a Rock Star?”
Today’s guest post is by Kristen Otte, the author of the Adventures of Zelda series about a tenacious pug. If you haven’t had a chance to read these books yet, you are missing a treat! Not only are they ideal earlier readers for children, but you’ll enjoy them just as much as your children or grandchildren do! As she publishes book five of the series, Kristen explains how she feels about ending the series and why she made the decision.
The release of The Adventures of Zelda: The One and Only Pug is a sad and exciting milestone for me. This release marks the fifth book in the Zelda series, but it also is the final book in the Zelda series. I know this may be a disappointment for many of the young fans (and parents of those fans) of the series, but I know it was the right decision.
The Adventures of Zelda were never “supposed” to be anything more than a few funny short stories that I wrote to practice my craft. But, after writing a few stories based loosely on the antics of my real life Zelda, I couldn’t stop writing. The stories flowed through my fingers on to the keyboard. Soon after, The Adventures of Zelda: A Pug Tale was published.
The early reader response was better than expected. I kept writing, and by book three, it was clear that young readers enjoyed reading about a stubborn, adventurous pug.
Have you ever attended a science fiction convention? Andrew Hiller, whose urban fantasy novel A Halo of Mushroomsis getting rave reviews, shares his recent experience at Marscon.
Williamsburg, Yorktown, and neighboring Jamestown hold a place in our history. Everywhere you look, you see preserved buildings, artifacts, reenactments, period costumes, and an 18th century sense of being. You come here to churn butter, put your head in the stocks, and learn. Wide roads and narrow bridges take you there. The grass in winter leans and the trees are spare. The color is more gray than green, but that too fits with the narrative of colonial and revolutionary struggle. It’s a great setting. It’s just not the place you expect to find aliens traipsing around.
I was invited to MarsCon to share my latest book, A Halo of Mushrooms, and host a couple of panels. It was my first time attending this Con, and to tell the truth, my first time at a Con as an author.
As a professional freelance editor, I encourage every writer I work with to use beta readers. Most fiction writers know this is an important step, but did you know it is equally important when you write nonfiction? You’ll do yourself a huge favor by gathering your posse early in the process to learn what works and what doesn’t in your manuscript.
Author Chandi Wyant, who is working on a travel memoir about her solo forty-day pilgrimage in Italy, offers another important reason to seek that valuable input.
A beta reader is a not a professional editor, but rather, a volunteer who reads your manuscript to provide feedback before you publish it, or before you submit it to agents or publishers.
I recommend seeking beta readers who are familiar with your genre and who are not close friends or family members.
Why a Memoirist Needs Beta Readers
Utilizing beta readers is an excellent idea for all genres. I’m going to focus here on why they’re essential for memoir.
Many authors in this genre write about traumatic things in their lives, and this is very challenging to do without sounding whiny.
This is where a beta reader can step in and save you from embarrassment. All authors are too close to their manuscripts and need an outsider’s perspective—and a memoirist is particularly entwined with her manuscript because it’s a piece of her life.
I have seen twice, with my own manuscript and with a friend’s, that beta readers saved us from the embarrassment of putting our book out into the world when it wasn’t ready.
. . . chuckle? guffaw? snort? Or if Santa isn’t having a good day, will he grumble? complain? mutter?
I wonder if Santa, like writers everywhere, struggles to find just the right word to describe his adventures. I hope he remembers to check the archives here at Change It Up Editing for great writing tips!
Like Santa and his helpers, I’ve been busy this week with holiday preparations, but I want to wish all the authors I’ve had the privilege of working with and all my blog followers a very Merry Christmas, Happy Hannukah, Happy Kwanza, Happy Festivus, Happy Day Off Work! I am grateful for all of you, and thank you for your continued support.
Have a happy, peaceful, and safe holiday!
Image courtesy of stockimages at FreeDigitalPhotos.net
Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be. Contact her at email@example.com, and learn more here.
I remind myself every day of just how grateful I am to have a job I love. When I was growing up, my parents encouraged me to do something I felt passionate about. That’s exactly what I get to do every single day as a freelance editor.
Since I began my freelance career, I’ve met some of the most amazing writers and have had the privilege to work on so many fascinating books, articles, and blogs. (Check those out here and here.) The old saying “Variety is the spice of life” is true for me, and the mix of working on both fiction and nonfiction projects helps keep me interested and interesting.
My job title is freelance editor, but I’m also a cheerleader for the authors I work with. My great joy is the feeling of “making a difference.” Whether I’m editing a short blog post for a traditionally published author or a novel for a first-time author, I’m one of those lucky people who gets to help someone realize his or her dream. It doesn’t get much better than that!
So today, Thanksgiving Day in the U.S., I just want to let you know I am thankful for YOU—each and every one of you.
Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be. Learn more here.
Today’s guest blogger, Andrew Hiller, is a reporter, radio host, editor, producer, playwright, and novelist. I had the pleasure of working with him on his urban fantasy novel, A Halo of Mushrooms, which will publish on December 1 and is now available for preorder. Read a preview here.
If you’re a writer, you know the self-doubt connected with publishing a book. (Now imagine seeing your words brought to life on the stage in front of a live audience—oh my!)
That self-doubt can keep even the best writers from sending their work out into the world, but Andrew has some advice for anyone who fears they aren’t good enough:
Long before the curtain rose, I felt the jitters begin. The stage remained dark, the chairs empty, and the carpet felt hard. I arrived four hours early. I needed to experience every moment of this first night . . . my first play on Broadway (okay, 78th and Broadway)!
Can you imagine it? First, the custodial staff came in and I worried about them . . . if my play flops, what happens to them? Then, the stage crew arrived, and I felt my hands shake. I knew each by name. We worked together. They quizzed me. They dreamed with me. I saw the director and producer arrive. They smiled. I think I manage one. Then, it was the actors’ turn, and some of them looked nervous while others exuded excitement. By the time the audience arrived, I was a mess. Continue reading “Remember to Live in Your Moment: Guest post by Andrew Hiller”