Tag: Writer

Define "It" to Strengthen Your Writing

Have you ever been engrossed in a great story and suddenly stopped short to ask yourself what the writer is referring to when “it” appears? Here’s an example:

“Sue and Mary found six dresses to try. It fit and was in her price range.”

strengthen-your-writing
Image courtesy of artur84 at FreeDigitalPhotos.net

What is “it,” exactly? In the context of the sentence above, “it” is used as a pronoun, and illustrates a common (and avoidable) writer mistake:

Undefined pronouns

A quick grammar review: Pronouns are a useful part of speech that give writers greater flexibility in naming schemes. Instead of using and reusing a noun, the substitution of a pronoun allows for a type of shorthand. For example, instead of writing, “The moment John walk into the store, John realized John had forgotten John’s wallet at home” (pretty clunky, huh?), this sentence becomes, “The moment John walked into the store, he realized he had forgotten his wallet at home.”

Personal pronouns are fairly straightforward. Most of us use I, he, she, they, him, her, them, his, hers, and theirs properly . . . but “it” often present unique problems for writers.

The Problem with “It”

When I edit manuscripts, I usually see two different but related problems with the use of “it”: Continue reading “Define "It" to Strengthen Your Writing”

What Is It? Avoid Undefined Pronouns to Strengthen Your Writing

“He worked hard to earn enough money to buy it.”Undefined pronouns

What is “it,” exactly? In the context of the sentence above, “it” is used as a pronoun, and illustrates a common (and avoidable) writer error:

Undefined pronouns

A quick grammar review: Pronouns are a useful part of speech that give writers greater flexibility in naming schemes. Instead of using and reusing a noun, the substitution of a pronoun allows for a type of shorthand. For example, instead of writing, “The moment John walk into the store, John realized John had forgotten John’s wallet at home” (pretty clunky, huh?), this sentence becomes, “The moment John walked into the store, he realized he had forgotten his wallet at home.”

Personal pronouns are fairly straightforward. Most of us use I, he, she, they, him, her, them, his, hers, and theirs properly . . . but “it” often present unique problems for writers.

When I edit manuscripts, I usually see two different but related problems with the use of “it”:

  1. The pronoun “it” does not relate to the antecedent
  2. The pronoun “it” is part of vague sentence construction.

In plain English, the first problem is using a pronoun that is ambiguous or doesn’t refer to a specific noun. Example:

 Although the pizza delivery van ran into the school bus, it was not damaged.

Does “it” represent the pizza delivery van or the school bus? We just can’t tell by the way this sentence is constructed. The pronoun doesn’t clearly relate to the antecedent.

Vague sentence construction and the indefinite use of “it” often calls for a sentence revision. Here’s an example of a problem sentence:

“Mary wondered if it was something about the energy of young people that animals pick up and want to be around.”

When “it” is combined with a form of the verb “to be,” take a closer look to see if there might be a better way to construct your sentence:

“Mary wondered if animals pick up on the energy of young people and want to be around it.”

In the above example, “it” stands in for “the energy of young people.”

 “Mary wondered if the energy of young people was something animals pick up and want to be around.”

This example eliminates “it” completely.

When self-editing your work, remember to add “it” to your list of words and terms to search and possibly replace. You don’t need to avoid this pronoun, but use “it” wisely and properly.

If you have any great tips for avoiding the overuse of “it” in your writing. please share in the comments.

Happy Writing,

Candace

If you enjoyed reading this and want to improve your ability to self-edit and revise your work, please subscribe by entering your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

Image courtesy of Master isolated images at FreeDigitalPhotos.net

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Blogging IS Writing

Blogging IS WritingI recently reconnected with a writer I’d met before I became a full-time freelance editor. We met for lunch the other day, and I had a fun time catching up and talking shop. Reminiscing about the writers critique group where we met and several of the “colorful characters” we both know from the group made me realize how much I miss the camaraderie of meeting with other writers on a regular basis.

As I explained to my friend, I don’t write much fiction these days. Instead of writing my own work, I help other writers with theirs. Whether I’m line editing a novel or magazine article, evaluating a memoir, or coaching a writer on his self-help book, my days are packed with reading and writing—so packed, in fact, that I even find it challenging to write regular blog posts.

Do you think of blogging as writing? #amwriting #blogging #writers Share on X

The day after our lunch, I came across an article I thought my friend might find interesting, so I sent her an email, and I also told her how motivating it had been to talk with her at our lunch about her writing.

Her email back to me read:

“When next we talk, I’d like to hear you that you wrote something. Writing could become your hobby!!! You know, do it for fun.”

I wasn’t quite sure how to respond to that.

I love writing. I really LOVE writing. I’ve been a lover of words for as long as I can remember. That’s the primary reason I’m in the editing and writing biz. Finding just the right word, helping another writer clarify meaning, or unscrambling a great idea that got lost in poor structure are all ways to get my heart racing. Continue reading “Blogging IS Writing”

Win-Win: Teaching Through Writing

collaboration writersRecently, an independent author who hopes to land a publishing contract this time around hired me to write a book proposal for her latest nonfiction book. She’s an experienced author, but she also knows what she doesn’t know. In her own words, “There is no point in reinventing the wheel when someone else already does it (writing a proposal) well. I think my time would better be served doing what I do best, teaching through writing.”

That sentence got me to thinking about how (as writers) we learn not just from reading, but also from the writing we do. One of the things I love most about my job is the collaborative work I do with authors. There is always a takeaway for me, and more important, there is a takeaway for my author/client.

The author who hired me to write her book proposal understands her personal strengths and weaknesses, and she appreciates the value of hiring someone to do something that might take her weeks of extra time to learn to do well. She’s willing to invest in her writing career by hiring a professional who has the expertise she doesn’t, which frees her up to do what she does best—write. She’s actually making money by spending money.

But there is an added benefit to her: once we’ve completed our collaboration on her book proposal, she will have a very clear idea of how to write a complete proposal for her next book if she chooses to do so.

You see, I too love to teach through writing. As we work together to create and sculpt her book proposal, we both learn. The author spends many hours researching a subject and sharing all her knowledge in a manuscript that she hopes will teach her readers something useful and valuable to them; I spend hours helping her choose just the right words and phrases and putting them together into a package that we hope will catch the eye of an agent or publisher.

And we each come away from this collaboration enriched by the other person’s strengths, because together we can accomplish something neither one of us could do, or do as well, without the other writer.

Collaboration is such an important part of a writer’s life. #writers #writerslife #IARTG Share on X

Collaboration is such an important part of a writer’s life. Many articles have been written about the solitary nature of writing, but when we collaborate with others—through writing partners, critique groups, beta readers, blog followers, and editors—we enrich our writing lives exponentially.

By the time I finish writing this proposal, I’ll have a great deal more knowledge about a subject that interests me, and my client will have a killer proposal and the skill to write the next one on her own if she chooses to . . . and we’ll have both gained something of real value through teaching and writing.

Happy Writing,

Candace

If you enjoyed reading this and want to improve your ability to self-edit and revise your work, please subscribe by entering your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

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How Do You Define Your Success as a Writer? (stylematters01.wordpress.com)

If You DID Know (megansayers.wordpress.com)

How to Survive “The Shock”: Your First Round of Editing

When writers have their manuscripts professionally edited for the first time, they often experience “The Shock.”

I’m talking about that moment when you open the document, fully prepared to see a few red lines here and there (because, of course, the reason you hired a professional editor in the first place was to find ways to improve a few sentences, catch a misspelled word or two, and clean up some punctuation).

What you didn’t expect was this:The Shock Your First Round of Editing

Yikes! What happened?

When an editor returns an edited document to you, the first thing you should do before you open it is TAKE A DEEP BREATH.

Believe it or not, as an editor, I’m as nervous about sending that marked-up document as you are about receiving it. I want you to feel that hiring me to edit your manuscript was one of the wisest decisions you’ve made on your path toward publication.

What I don’t want is for you to open the document, take one look at all the red lines, close the document, and give up—on you or on me as your editor.

The shock of seeing an edited manuscript can be especially overwhelming for writers. #writetip #editing #editingtip Share on X

I know the shock of seeing an edited manuscript can be especially overwhelming for writers who have never hired a professional editor before. I try to mitigate the shock in several ways in my cover letter; I explain the nuts and bolts so you understand how I use Microsoft Word’s track changes and comments features; I also explain my method for “talking” to you in the text itself. I point out the strengths I find in your manuscript as well as recurring issues you might not be aware of, like a tendency to overuse a phrase or too many dialogue tags. Above all, I try to be encouraging and convey both my respect for your author’s voice and my goal of helping you create the best manuscript possible.

I also write that my suggestions are just that—suggestions—and the ultimate decision about whether or not to accept them belongs to you, the author.

But I know how it can feel when you open that document and see a sea of red. Somehow, you just weren’t expecting to see that many corrections and suggestions.  As author Rinelle Grey puts it, “Every time I get an edit back, even a sample one, it hurts.”

Here are some points to remember when you look at a professionally edited manuscript:

  • This Is a No-Judgment Zone: When you read through your editor’s comments and look at each change he/she has made, keep in mind that the editor is judging the manuscript, not you. As one author writes, “Editors’ comments are to be taken as constructive feedback, not as an insult. Too many writers get defensive and claim that an editor has it in for them, when that is certainly not the case. . . . A good editor has to be able to justify every change or comment she makes. If an editor puts a comma inside of quotation marks, it may seem like a small, nitpicky change. But there’s a legitimate reason. They’ll gladly explain their reasoning.”
  • We’re All in This Together: When I’m working with an author, I’m wearing my team-member hat. My goal is to make your work shine, so every correction I make, every word choice I query, every comment I add have the same goal: to help you polish every sentence to make it the best it can be.

One of the reasons I always offer a no-obligation sample edit to a potential author/client is to take away some of that edited-manuscript shock. In addition to having a way of determining if I’m the right editor for you, a sample edit prepares you just what “editing” means for your manuscript.

Editors who do nothing are great for an author’s ego. But, believe it or not, there are errors in your manuscript—of internal logic, of grammar, and of sense. There always are. Trust me, you don’t want your readers (or reviewers) to point out your mistakes.” (Thanks to Erica Verrillo at Publishing and Other Forms of Insanity for that quote.)

  • You Are Now a Stronger Writer: One of the benefits of having your manuscript professionally edited is that you learn a great deal about writing in general and your own writing in particular. It’s sometimes difficult to accept that someone else’s suggestion for structuring a sentence does make for a stronger sentence, but don’t get hung up on “winning.” A good editor is one who doesn’t just follow a set of rules; a good editor puts his or her own ego aside and works with you to strengthen your voice and style. As Erica Verrillo writes:

Don’t slavishly follow every suggestion. Use your judgment. On the other hand, don’t, don’t, don’t tell them to sod-off—even mentally. They may be right. Take a step back from your manuscript, take a deep breath, and then exercise your skill as a writer. Make your manuscript shine as only you can—with their guidance. If the editor is good, the final product will be well worth it.”

As you review your edited manuscript, don’t be afraid to question anything you don’t understand. Wondering why “affect” was changed to “effect”? Confused by the comment “passive voice”? Unsure about deleting that entire paragraph the editor marked as “redundant”? Ask. Ask lots of questions. Be sure you are comfortable with the suggested changes before you accept them, and be sure you understand what the editor is suggesting or querying and why. Your WIP will be a better read for it, and I’ll bet your next manuscript won’t come back with as much red as the first one did.

I’d love to hear about the first time you opened an edited manuscript: were you concerned by all the red lines? Did you expect as many changes? Did you feel the editor respected your voice? And if you’ve been through the process more than once, what advice would you offer a fellow writer who is ready to hire an editor?

Happy Writing,

Candace

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

 

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

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Self Editing: Put Your Book on a Diet

self editingWriters often confess their dislike for the revision process. Let’s face it, putting pen to paper (or fingers to keyboard) to write a story feels much more creative than meticulously going through it to add or subtract and rearrange text.

I certainly understand how overwhelming the revision process can be, but breaking it down into manageable bites can make it very doable. And one of the easiest self-editing tasks you can tackle is deleting extraneous words.

In other words, put your manuscript on a diet.

Put your manuscript on a diet, and get rid of those extra words. #writingtip Share on X

As an editor, one of the common things I see is an overweight manuscript.

Overweight? As in too many pages? Well, yes and no. Too many pages can often be the end result, but the real culprit is too many unnecessary words.

We admire gifted writers because they take us to another place—and we don’t even realize it. A well-turned phrase, the perfect adjective, a carefully crafted description—they are the Holy Grail for writers.

As a writer, you know that each word is important, and sometimes the most important words are the ones you don’t use.

The words you don’t use are those you’ve searched out and deleted during your self-editing. Here’s how Writers Relief puts it:

Take a crash course in deleting. Remember that paragraph you worked on yesterday, picking out the best words? Now, cut it down. Get out your red pen and slash away! Be brutal. What is the absolute minimum number of words that you can use to make a point?

Every writer tends to overuse certain words and phrases; check your current work in progress for words like “that,” “in order to,” “began to,” “quickly,” and my personal pet peeve: “it” without a subject noun as an antecedent. The next step is to look at adverbs and adjectives in general, and ask yourself if you can improve your description by removing some of those extra words.

Try this fantastic exercise, courtesy of Write Divas:

We’ve all heard the advice: Paint a picture with your words. Describe the scene. Be creative with your words…

Many first time authors take this advice a little too far and over use adjectives when describing something, because let’s face it–the more descriptive words used, the better the picture, right?

Wrong.

Most of the time one or two adjectives are enough to create an image, but instead of overusing adjectives, authors should strive to use better adjectives. The following is an exercise to help authors practice this skill.

  • Select a scene from something you’ve written.
  • Rewrite it without any adjectives. Remove every last one and list them on a separate paper.
  • Read the scene without the adjectives.
  • Review the list of removed adjectives and replace each one with an adjective not already on the list, using lesser known adjectives or better word choices.
  • Using the new list of adjectives, put back only the adjectives that are necessary for clarity. Nothing more.
  • Read the scene again.
  • Did you need all those adjectives? If the passage needs a few more, add them in but limit yourself to one per noun, two at the most and only occasionally. Never three.
  • Read the scene again.
  • How does it compare to the way it read in the beginning?

The idea here is to give enough description to give your readers’ imaginations flight to create the scene in their head without directing every minute detail. The more ownership a reader has in creating the scenes and characters in their imagination, the more invested in the story they will become.

There are many ways to save on professional editing, and I’ve listed just a few in How to Save Money on Editing by Preparing Your Manuscript and 3 Things You Shouldn’t Hire an Editor to Do. But my first piece of advice to any writer who wants to get the most bang for his or her editing buck is:

Put your manuscript on a diet, and get rid of those extra words.

Happy Writing!

—Candace

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

Related articles

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

How to (Almost) Instantly Improve Your Writing

Improve Your WritingIf you are serious about your writing, you’ve probably searched for the magic formula that will guarantee publication of your work. I hate to be the one to break this to you, but there is no magic formula.

Writing is hard. Writing well is hard work. Writing well enough to see your work published takes time, dedication, ruthless editing, and yes, a bit of luck.

Luck isn’t something you have much control over . . . but you do have control over time, dedication, and ruthless editing.

Millions of words have been written about finding and making time to write, so you’re probably working on that, and you’re already dedicated to your craft or you wouldn’t be reading Stephen King’s On Writing and searching blogs for ideas on how to make a living in this crazy business.

That leaves ruthless editing as your ticket to instantly improving your writing.

How does that work, exactly?

I’m glad you asked.

The #1 way to become a better writer is to edit someone else’s writing. #editingtip Share on X

In a wonderful post about writing in a way that makes people feel, Guy Bergstrom writes:

You learn to write by editing, and you learn to edit by taking a red pen to what other people write. Where we need to switch it up is how we edit. Not line by line. Don’t worry about pretty sentences. Worry about pretty BONES. The bodywork of the car matters a helluva lot less than the engine that makes it go. Focus on the engine.”

We writers spend a great deal of time crafting a sentence so it says exactly what we want it to say. The tendency to overwrite is a common mistake, especially when we’re first starting out, but it’s something we can overcome with time and a lot of practice.

Ruthless editing, then, means going back and deleting all the fluff; it means breaking the story down and building it back up again; it means returning to writing basics. Need a few ideas on where to begin?

In Creative Writing with the Crimson League, Victoria Gefer writes:

Remember, the most basic rule of editing, on the most basic level, is always this:

Any word that doesn’t need to be in a sentence shouldn’t be.

Remember rule two of editing:

Never distort your writing into something that’s worse than using a common, go-to phrase. Don’t change “weak” style points on principle; change them when you can see a clear way to make your writing better by changing them: a way to be clearer, simpler, and less redundant.”

Once you’ve revised your work, it’s time to get some perspective on it. Remember this:

The #1 way to become a better writer is to edit someone else’s writing.

I edit other people’s work for a living, and I can honestly say that every piece I’ve worked on has been a learning experience in some way. Reading, as we all know, is a wonderful way to learn how other writers write, but I encourage you to edit another writer’s work; there’s nothing like it for learning about your own style and foibles.

One of the best articles I’ve read about peer editing is by Oliver Gray at LiteratureAndLibation.com:

Editing another writer’s work will improve your writing. It gives you a chance to read all kinds of stuff you might not see otherwise, but also gives you a chance to see what mistakes other writers are making. Editing gives you the chance to learn from other people’s lessons, dissect how a writer created an image or a theme or a tone.”

So there you have it in a nutshell: editing another writer’s writing will improve your own, because editing forces you to look at writing from a completely different point of view. Whether you join an online critique group like Scribophile or reach out to a fellow writer you met on WordPress, I encourage you to learn about writing in a different way by editing someone else’s writing.

As Oliver Gray wrote to me, “Man, editing and revisions is way harder than actually writing!” And he’s right! Writing is the fun part; editing and revising are what make you a better writer. Almost instantly!

Have you done any peer editing? Have you found your own writing improves after editing someone else’s work? What valuable insights have you gained from the process?

Happy Writing,

Candace

If you enjoyed this article, please consider subscribing so you’ll never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

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Writers: You Never Know How Strong You Are Until Being Strong Is the Only Choice You Have

how strong you areLife is full of challenges. Sometimes they are minor, like trying to explain to your children (for the thirteenth time) why they can’t have a puppy because you don’t want the responsibility (“But Mom, we promise we’ll walk it and feed it and play with it—you won’t have to do a thing!”).

Sometimes the challenges are much more, well, challenging.

Like mourning the passing of a loved one, or receiving another rejection letter for the piece you poured your heart and soul into, or suffering a stroke at age 12. Those are the types of challenges that can send us over the edge if we don’t know how to consciously access our resilience.

If we access our personal power, we can overcome just about anything. #adversity #challenge #writers Share on X

Maybe it has something to do with the alignment of the moon and the stars—who really knows?—but I feel like the past week has been a particularly challenging one for many of the bloggers I follow. Phillip McCollum wrote about a writer’s paralysis in “I’m Not Good Enough” (includes a great Ira Glass quotation, too); Hermania Chow discussed self-esteem in “5 More Things Writers Need to Stop Doing”; J. Keller Ford shared her perplexing relationship with her adult daughter in “A Demon of the Past Is Destroying the Present and I’m the Scapegoat . . . Again.”

We often beat ourselves up over what we didn’t do, what we “should” have done instead. I’m always reminded of my late mother when I hear the word “should.” She would remind me that, in her opinion, it is one of the most useless and debilitating words in the English language. Think about that for a moment, and ask yourself if the “shoulds” in your life are keeping you from being your best self.

“I should let the kids have that puppy.”

“I should be writing.”

“I should be able to get through the day without being sad about Dad’s passing—it’s been a year, after all.”

“I should have finished by now . . . should be more established as a freelance writer . . . should be able to write a blog post every day . . .” Yes, we can “should” ourselves into feeling like failures, but by consciously accessing our resilience, we can stop listening to those negative voices and turn our challenges into character-building markers.

I was prompted to write this post when I received an email yesterday from Patricia O’Gorman, the author of The Resilient Woman: Mastering the 7 Steps to Personal Power. After her own especially challenging week, Dr. O’Gorman was more than thrilled to receive a great review for her book, which reminded her that no matter what happens to us, if we access our personal power, we can overcome just about anything. There is something in this book for every man, woman, and child who ever suffered from self-doubt.

The book’s reviewer (from MyShelf.com) wrote:

There is a test to see where you fall on the resilience scale. Take it, it really is informative. O’Gorman’s words are empowering.

You will really get a lot out of this book and want to pass it on. But be sure to put your name in it, because you will definitely want it back to refer to later when you start thinking your ‘girly thoughts’!”

I hope you’ll take my mom’s advice and lose the “shoulds” in your life. You are strong and resilient, and even when you’re having a bad day (or two or three), remember: you are stronger than you think you are.

Yes, you are.

Now go out there and have an amazing week!

Happy Writing,

Candace

If you enjoyed this article, please consider subscribing so you’ll never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you’re looking for more great writing and publishing information, check out my Facebook page, where I share all kinds of interesting articles and links.

Post title is a quote from an unknown author.

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

4 Easy Ways Self-Publishing Authors Can Save Money on Professional Editing

Save Money on Professional EditingSelf-publishing can be expensive. Between editing, cover design, formatting, printing, and marketing, you can spend a small fortune if you aren’t careful. Even if you’re a DIY author who controls every aspect of the process, there are many (expensive) costs associated with bringing your work to the world. Finding ways to cut those costs can become an important part of your learning curve as a self-publishing author. (And no, skipping the professional editing isn’t one of those ways.)

Estimates for the whole self-publishing enchilada range from several hundred to several thousands of dollars—and one of the biggest expenses is typically the editing. But professional, quality editing doesn’t have to put a huge hole in your wallet. The best editing money can buy is available at a fraction of the cost many writers pay when you use the B.E.S.T. system.

                                       B is for Beta readers

                                       E is for Editing your own work

                                       S is for Sample edit

                                       T is for Talk to your editor

The B.E.S.T. system of editing and how it can save you money #editingtip Share on X

1. B is for Beta readers who can give your constructive feedback on what is and isn’t working in your manuscript. This is an opportunity to see how others interpret your work—how readers will respond. You get so close to your work that you cannot be as objective as you need to be. Patterns of error, plot holes, undeveloped characters, run-on sentences, subject-verb disagreements, and punctuation gaffes are all fair game for a beta reader or writing workshop buddy. Correct the grammar and punctuation errors, and use the suggestions that make sense to you. Don’t feel compelled to make a change that doesn’t respect your authorial voice or one that doesn’t improve your work.

2. E is for Editing your own work. After you receive feedback from your beta readers, writing workshop partner, or other writers, go back and re-edit one more time. Anything you can fix before turning your manuscript over to an editor will save you time and money in the long run. Self-editing techniques like printing out your work and editing on paper, or reading backward from the end of your manuscript to the beginning, are just two ways scores of writers edit their work and catch mistakes. Check out the related articles below for some other great ideas.

3. S is for Sample edit, which you should get before you decide on an editor. Blindly hiring someone because he’s inexpensive or she knows your mother isn’t a wise business decision. Reviewing a sample edit will give you a huge insight into a particular editor’s knowledge and ability. Every editor has a slightly different approach to editing, and this is a quick way to see if your expectations and his or her style are a good match. “He charged a small fortune but I hated what he did to my work” is something no author should ever have to say.

4. T is for Talk to your editor. The relationship between a writer and his or her editor is based on communication and trust. When editing is a collaborative effort, you learn what works and what doesn’t in your writing, which will allow you to make your own corrections on this manuscript as well as build your writing skills going forward. Make it clear to your editor that you are on a tight budget and want guidance on self-editing; for example, if your sample edit indicates you use commas incorrectly, go back through your manuscript with a style guide or other reference material in hand and correct as many of those commas as possible before turning the manuscript over for editing. One missing or incorrectly placed comma won’t make a difference in your editing bill, but dozens and dozens of them in addition to everything else can really add up in a novel-length manuscript.

When you follow these four points, your manuscript will be in the best shape you are able to make it and your editing dollars will go much farther. Even when you’re on a tight budget, there’s no excuse to publish your book without having it professionally edited and proofread. You have to be smart about how you spend your money; develop a plan and follow the B.E.S.T. points to make sure your manuscript is the best it can be!

What other way have you found to save money on professional editing? Have you traded critiques with another writer, or hired an editor to coach you through a rough spot? Please share your stories, which might even help a fellow writer save a few editing dollars!

Happy Writing,

Candace

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What a Difference a Year Makes

becoming a freelance editorIn May of 2012, I made a decision I’d been contemplating for some time: I hung out my shingle as a full-time freelance editor and writer.

I had been working as a senior editor at a small traditional publisher. I was very excited about how different my working life would be as a freelancer. But giving up that steady paycheck—well, that was a horse of a different color, as they say.

Why I quit my job as senior editor at a publishing house #editing #publishing Share on X

My passion was working with writers and their words, and sadly, the economics of traditional publishing had caused my job to morph into something that left me little time to do that. My days were spent on so many things other than editing, and I grew more and more frustrated.

I finally realized that if things were going to change, I would have to be the one to change them.

So I did, and I’ve never looked back. Was it scary? Yes, it was—and it still is. But in hindsight, I only have one regret: I wish I’d done it sooner. Becoming a freelance editor and writer is one of the best decisions I’ve ever made.

Today, I have the freedom to work on projects that I’m excited about. I have the variety of working with writers on their novels, their memoirs, their self-help books, their blog posts, their articles for magazines and websites. I even had the opportunity to write a comedic speech, which was a great challenge but SO much fun! Every day I have the opportunity to work with authors who are among the most dedicated and creative people I’ve ever met. And the best part is that I can now call those people my friends.

It’s been a year since I decided to start Change It Up Editing and Writing Services, and it’s been a fantastic twelve months. Thank you to all the writers who trusted me with their amazing words, and thanks to all of YOU who read this blog. I never dreamed I’d have so much FUN!

—Candace

Did you enjoy this article? Subscribe to my blog and you’ll never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

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Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.