As a professional freelance editor, I encourage every writer I work with to use beta readers. Most fiction writers know this is an important step, but did you know it is equally important when you write nonfiction? You’ll do yourself a huge favor by gathering your posse early in the process to learn what works and what doesn’t in your manuscript.
Author Chandi Wyant, who is working on a travel memoir about her solo forty-day pilgrimage in Italy, offers another important reason to seek that valuable input.
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A beta reader is a not a professional editor, but rather, a volunteer who reads your manuscript to provide feedback before you publish it, or before you submit it to agents or publishers.
I recommend seeking beta readers who are familiar with your genre and who are not close friends or family members.
Why a Memoirist Needs Beta Readers
Utilizing beta readers is an excellent idea for all genres. I’m going to focus here on why they’re essential for memoir.
Many authors in this genre write about traumatic things in their lives, and this is very challenging to do without sounding whiny.
This is where a beta reader can step in and save you from embarrassment. All authors are too close to their manuscripts and need an outsider’s perspective—and a memoirist is particularly entwined with her manuscript because it’s a piece of her life.
Beta Readers Can Save You from Embarrassment—Guest Post by Chandi Wyant Share on XI have seen twice, with my own manuscript and with a friend’s, that beta readers saved us from the embarrassment of putting our book out into the world when it wasn’t ready.
My friend (who writes nonfiction like I do) was sure her book was ready for publication, but a beta reader told her, Continue reading “Beta Readers Can Save You from Embarrassment—Guest Post by Chandi Wyant”