Tag: Publishing

Win-Win: Teaching Through Writing

collaboration writersRecently, an independent author who hopes to land a publishing contract this time around hired me to write a book proposal for her latest nonfiction book. She’s an experienced author, but she also knows what she doesn’t know. In her own words, “There is no point in reinventing the wheel when someone else already does it (writing a proposal) well. I think my time would better be served doing what I do best, teaching through writing.”

That sentence got me to thinking about how (as writers) we learn not just from reading, but also from the writing we do. One of the things I love most about my job is the collaborative work I do with authors. There is always a takeaway for me, and more important, there is a takeaway for my author/client.

The author who hired me to write her book proposal understands her personal strengths and weaknesses, and she appreciates the value of hiring someone to do something that might take her weeks of extra time to learn to do well. She’s willing to invest in her writing career by hiring a professional who has the expertise she doesn’t, which frees her up to do what she does best—write. She’s actually making money by spending money.

But there is an added benefit to her: once we’ve completed our collaboration on her book proposal, she will have a very clear idea of how to write a complete proposal for her next book if she chooses to do so.

You see, I too love to teach through writing. As we work together to create and sculpt her book proposal, we both learn. The author spends many hours researching a subject and sharing all her knowledge in a manuscript that she hopes will teach her readers something useful and valuable to them; I spend hours helping her choose just the right words and phrases and putting them together into a package that we hope will catch the eye of an agent or publisher.

And we each come away from this collaboration enriched by the other person’s strengths, because together we can accomplish something neither one of us could do, or do as well, without the other writer.

Collaboration is such an important part of a writer’s life. #writers #writerslife #IARTG Click To Tweet

Collaboration is such an important part of a writer’s life. Many articles have been written about the solitary nature of writing, but when we collaborate with others—through writing partners, critique groups, beta readers, blog followers, and editors—we enrich our writing lives exponentially.

By the time I finish writing this proposal, I’ll have a great deal more knowledge about a subject that interests me, and my client will have a killer proposal and the skill to write the next one on her own if she chooses to . . . and we’ll have both gained something of real value through teaching and writing.

Happy Writing,

Candace

If you enjoyed reading this and want to improve your ability to self-edit and revise your work, please subscribe by entering your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

Related articles:

How Do You Define Your Success as a Writer? (stylematters01.wordpress.com)

If You DID Know (megansayers.wordpress.com)

Self-Editing Checklist for Fiction Writers Part II: Micro Issues

Self-Editing Checklist for Fiction Writers Whether you plan to self-publish or try for a traditional publishing contract, your post-writing/prepublication steps begin the same way. In Self-Editing Checklist for Fiction Writers: Macro Issues, we looked at some “big picture” strategies you can use for your first round of revisions and self-edits. In this continuation, we’ll consider the smaller details, the “small-tooth comb” review, that every writer should consider before declaring a manuscript ready for the copyeditor.

As you may recall, addressing a manuscript’s macro issues includes reviewing for global details, like how the characters develop over the course of the story and whether or not the story arc works; micro issues include sentence structure and word choices.

When checking a manuscript for macro issues, here are some points (in no particular order) to consider: Continue reading “Self-Editing Checklist for Fiction Writers Part II: Micro Issues”

Self-Editing Checklist for Fiction Writers Part I: Macro Issues

Self-Editing ChecklistWhether you plan to self-publish or try for a traditional publishing contract, your post-writing/prepublication steps should be the same:

  1. Pat yourself on the back for completing your manuscript, and then put it away for a few weeks.
  2. Once you’re ready to begin self editing, review your outline (if you have one) to refresh your memory about your original plans; this step will help you remember, for example, that the character who was originally named “Mary” was later changed to “Marie,” so you can do a search to be sure they were all changed. It will also help you if (when!) you begin moving chapters around.
  3. Run a spell-checker and grammar checker. Be careful, though—don’t automatically assume the computer software will catch all your mistakes. Here’s a fun example of correctly spelled words that prove the point:

I have a spelling chequer,

It came with my pea sea,

It plainly marks four my revue,

Miss steaks eye kin knot sea.

(read more at http://www.future-perfect.co.uk/grammartips/spell-checker.asp)

Now it’s time to begin going through your manuscript with a fine-tooth comb. For most writers, moving from macro to micro works best, but if you’re easily distracted by minutia, you might want to reverse the process.

I’ll cover micro issues in another post. Macro issues include big-picture concepts, like how the characters develop over the course of the story and whether or not the story arc works; micro issues include sentence structure and word choices.

When checking a manuscript for macro issues, here are some points to consider:

When checking a manuscript for macro issues, here are some points to consider: #amediting #editingtip #writers Click To Tweet

Continue reading “Self-Editing Checklist for Fiction Writers Part I: Macro Issues”

4 Easy Ways Self-Publishing Authors Can Save Money on Professional Editing

Save Money on Professional EditingSelf-publishing can be expensive. Between editing, cover design, formatting, printing, and marketing, you can spend a small fortune if you aren’t careful. Even if you’re a DIY author who controls every aspect of the process, there are many (expensive) costs associated with bringing your work to the world. Finding ways to cut those costs can become an important part of your learning curve as a self-publishing author. (And no, skipping the professional editing isn’t one of those ways.)

Estimates for the whole self-publishing enchilada range from several hundred to several thousands of dollars—and one of the biggest expenses is typically the editing. But professional, quality editing doesn’t have to put a huge hole in your wallet. The best editing money can buy is available at a fraction of the cost many writers pay when you use the B.E.S.T. system.

                                       B is for Beta readers

                                       E is for Editing your own work

                                       S is for Sample edit

                                       T is for Talk to your editor

The B.E.S.T. system of editing and how it can save you money #editingtip Click To Tweet

1. B is for Beta readers who can give your constructive feedback on what is and isn’t working in your manuscript. This is an opportunity to see how others interpret your work—how readers will respond. You get so close to your work that you cannot be as objective as you need to be. Patterns of error, plot holes, undeveloped characters, run-on sentences, subject-verb disagreements, and punctuation gaffes are all fair game for a beta reader or writing workshop buddy. Correct the grammar and punctuation errors, and use the suggestions that make sense to you. Don’t feel compelled to make a change that doesn’t respect your authorial voice or one that doesn’t improve your work.

2. E is for Editing your own work. After you receive feedback from your beta readers, writing workshop partner, or other writers, go back and re-edit one more time. Anything you can fix before turning your manuscript over to an editor will save you time and money in the long run. Self-editing techniques like printing out your work and editing on paper, or reading backward from the end of your manuscript to the beginning, are just two ways scores of writers edit their work and catch mistakes. Check out the related articles below for some other great ideas.

3. S is for Sample edit, which you should get before you decide on an editor. Blindly hiring someone because he’s inexpensive or she knows your mother isn’t a wise business decision. Reviewing a sample edit will give you a huge insight into a particular editor’s knowledge and ability. Every editor has a slightly different approach to editing, and this is a quick way to see if your expectations and his or her style are a good match. “He charged a small fortune but I hated what he did to my work” is something no author should ever have to say.

4. T is for Talk to your editor. The relationship between a writer and his or her editor is based on communication and trust. When editing is a collaborative effort, you learn what works and what doesn’t in your writing, which will allow you to make your own corrections on this manuscript as well as build your writing skills going forward. Make it clear to your editor that you are on a tight budget and want guidance on self-editing; for example, if your sample edit indicates you use commas incorrectly, go back through your manuscript with a style guide or other reference material in hand and correct as many of those commas as possible before turning the manuscript over for editing. One missing or incorrectly placed comma won’t make a difference in your editing bill, but dozens and dozens of them in addition to everything else can really add up in a novel-length manuscript.

When you follow these four points, your manuscript will be in the best shape you are able to make it and your editing dollars will go much farther. Even when you’re on a tight budget, there’s no excuse to publish your book without having it professionally edited and proofread. You have to be smart about how you spend your money; develop a plan and follow the B.E.S.T. points to make sure your manuscript is the best it can be!

What other way have you found to save money on professional editing? Have you traded critiques with another writer, or hired an editor to coach you through a rough spot? Please share your stories, which might even help a fellow writer save a few editing dollars!

Happy Writing,

Candace

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Image courtesy of Vichaya Kiatying-Angsulee at FreeDigitalPhotos.net

What a Difference a Year Makes

becoming a freelance editorIn May of 2012, I made a decision I’d been contemplating for some time: I hung out my shingle as a full-time freelance editor and writer.

I had been working as a senior editor at a small traditional publisher. I was very excited about how different my working life would be as a freelancer. But giving up that steady paycheck—well, that was a horse of a different color, as they say.

Why I quit my job as senior editor at a publishing house #editing #publishing Click To Tweet

My passion was working with writers and their words, and sadly, the economics of traditional publishing had caused my job to morph into something that left me little time to do that. My days were spent on so many things other than editing, and I grew more and more frustrated.

I finally realized that if things were going to change, I would have to be the one to change them.

So I did, and I’ve never looked back. Was it scary? Yes, it was—and it still is. But in hindsight, I only have one regret: I wish I’d done it sooner. Becoming a freelance editor and writer is one of the best decisions I’ve ever made.

Today, I have the freedom to work on projects that I’m excited about. I have the variety of working with writers on their novels, their memoirs, their self-help books, their blog posts, their articles for magazines and websites. I even had the opportunity to write a comedic speech, which was a great challenge but SO much fun! Every day I have the opportunity to work with authors who are among the most dedicated and creative people I’ve ever met. And the best part is that I can now call those people my friends.

It’s been a year since I decided to start Change It Up Editing and Writing Services, and it’s been a fantastic twelve months. Thank you to all the writers who trusted me with their amazing words, and thanks to all of YOU who read this blog. I never dreamed I’d have so much FUN!

—Candace

Did you enjoy this article? Subscribe to my blog and you’ll never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page, where I share all kinds of interesting articles and links.

Image courtesy of africa at FreeDigitalPhotos.net

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

Can You Hear Me Now? Finding a Freelance Editor Who Listens

Whether you hope to interest a traditional publisher or you’re publishing independently, you know you need professional editing before you submit yourFinding a Freelance Editor Who Listens manuscript.

But how do you know if the editor you found is a good fit for you?

In my last post (read it here), I discussed how a sample edit can do three things:

  1. It show you a particular editor’s knowledge and ability,
  2. It helps the editor determine the amount of work your manuscript needs to make it as professional as possible, and
  3. It gives you the opportunity to see how that editor believes he or she can improve your book.

Erik John Baker (be sure to check out his blog here) left this comment:

I think it’s also important to find an editor who listens, both [to] the writer and to the writer’s voice.”

Bingo! We all expect an editor to be good with the written word, but it is equally important that someone who is part of your team is a good listener and honors your authorial voice. Let’s discuss the “good listener” part.

How do you know if the editor you found is a good fit for you? #editing #indieauthors #selfpublishing Click To Tweet

Continue reading “Can You Hear Me Now? Finding a Freelance Editor Who Listens”

Testing, Testing: How to Choose a Freelance Editor

How to Choose a Freelance EditorAs a savvy author, you know you need professional editing whether you hope to interest a traditional publisher or you’re publishing independently.

But how do you know if an editor is a good fit for you?

In an article titled Freelance Editing: How to Hire an Editor for Your Book or Query Letter, Chuck Sambuchino offered advice for hiring a freelance editor. His first piece of advice was “Get a Test Edit.”

A test edit basically means you pass along a few pages and get them reviewed to see what kind of notes and ideas the editor is making in terms of proofreading and content work. Test edits usually work one of two ways: 1) You pass on 1-2 pages and the editor reviews them for free; or 2) you pass on a more substantial number of pages (10-50) and simply pay the editor as normal for those pages. If you like what you see from the test edit, then you can move forward on a bigger deal.”

I think he makes his point well with his example (which hurts my brain every time I read it!)

You wouldn’t let just any mechanic fix your car, so don’t let just any editor fix your words. #editingtip Click To Tweet

This week I’ve been contacted by several writers who are shopping for editors as they near completion of their WIPs, and I’ve made this same offer to each one:

Send me the first few chapters of your manuscript. I’ll select several pages and provide a free, no-obligation sample edit for you. A sample edit is beneficial to both of us; it helps me determine the amount of work your manuscript needs to make it as professional as possible, and it also gives you the opportunity to see how I can improve your book.”

As I wrote here and here, you wouldn’t let just any mechanic fix your car, so don’t let just any editor fix your words. Ask for references from other authors who have hired that editor for the type of work you need, and don’t be afraid to voice your concerns before you hire someone. Editing is like marriage: communication and trust are vital to success.

*A big note about this: I am talking about editing for publication for any medium—printed book, ebook, blog post, advertising blurb, query letter. How your work is published isn’t the determining factor; that you publish a professional piece is. In a blog post titled SELF PUBLISHING ON KINDLE – Have Any Books On Kindle Ever Sold No Copies?, author Steve Truelove gives his answer to that question, which includes:

I guess is if the book is totally hopeless….badly written, full of mistakes, ridlled wiht typo’s, and unedited. Believe me, if you upload a book like that to Kindle you will soon get found out, so to speak.”

Blindly hiring an editor because he’s inexpensive or she knows your mother isn’t a wise business decision. But reviewing a sample edit will give you a huge insight into a particular editor’s knowledge and ability, so don’t hesitate to ask for one before making this important financial and professional decision.

Your expertise is writing; let me show you how my editorial expertise can help you take your writing to the next level. Contact me at cyjohnson5580@gmail.com for a no-obligation quote and sample edit today.

Happy Writing!

—Candace

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10 Reasons You Need an Editor for Indie Publishing

There are many reasons why you should invest in professional editing when you are self-publishing; here are ten of them:copyedit photo

When Michael Jordan was asked how he became the best basketball player in the world, his answer was “I had great coaches.” And in the same way, great writers have good editors behind them. A good editor can help make the difference between a book that should be used as fireplace kindling and one that rivals any traditionally published bestseller.

Editing is a specialized skill set; just because someone can find typos doesn’t mean he or she is a good editor. When you are considering independent publishing, it’s important to gather a professional team that helps you raise the bar on your work and create a final product that is something you can be proud of.

Great writers have good editors behind them. #editingtip #writers #selfpub Click To Tweet

Here are 10 reasons why you need an editor if you plan to self-publish:

1. You are new to the publishing business.
The publishing world is in a transition, and whether you hope to self-publish and catch the eye of a literary agent or publisher or you just want to maintain more control over your product and your income, you should partner with professionals who know the publishing world and can guide you through unfamiliar details, such as the legalities of using song lyrics or how many words are “standard” in your genre.

2. You have a great idea but don’t know how to organize it into a book.
Experts in psychology or medicine, food, local history, and other unique fields often use a professional editor to help them shape their ideas into a salable manuscript that will appeal to lay readers. Memoirists often struggle to move their work past the point of sounding like diary entries; a professional editor can help focus your writing to create a compelling memoir that readers will devour like a novel. Fiction writers can partner with an editor to flesh out details and elements such as plot, characterization, dialogue, and setting.

3. You’ve self-edited your work and are ready to move forward.
Your friends, your relatives, and your former English teacher will all give you wonderful support and advice, but they’re not going to approach your manuscript with the eye for detail that an editor brings to your work. A professional editor’s primary connection to the book is through the manuscript itself, not through you personally. A good editor represents the eye and ear of the reader and brings a viewpoint that is often more nuanced than that of your supportive friends and family. Each time you return to your manuscript, you see it a little differently. Self-editing multiple drafts is something every writer should do, but returning to a work with notes from a professional is a way to maximize your efforts.

4. You have poured your heart and soul into your work, and it is difficult to be objective about it.
Even after you’ve self-edited, there may be issues you haven’t addressed because you aren’t aware of them. Are there holes in your arguments? Are your introduction and conclusion as strong as they can be? Are your characters three dimensional or flat? Is your story slow to start, or does it move too quickly? You want your book to be strong, clean, professional, appealing, and affect your readers, and an editor can point out the strengths and weaknesses in your manuscript.

5. Your mind sees what it wants to see.
Your brain has a hard time realizing that “weak” is wrong when you meant “week,” or that you’ve received a “compliment,” not a “complement.” An editor will catch these details and find errors that go beyond spelling and word choices. Every writer has a personal pattern of error, such as using the same word too frequently or misusing semicolons, and those are errors you won’t even notice—but an editor will.

6. Grammar isn’t everyone’s strong suit . . . and even if you’re good at it, grammar isn’t the only thing that can trip you up.
If you unknowingly overuse pet words, or if your writing is wordy or repetitive, an editor will point out those errors. Spell-check and grammar-check software can actually make things worse instead of better. While these features are a good place to start, they are not nearly as accurate or as skillful as a good editor. And editing goes beyond grammar, spelling, and punctuation mistakes. You want to be sure that no questions go unanswered, all necessary information is included, and, of course, that no libelous or inaccurate material is published.

7. You want to create a final product that is something you can really be proud of.
An editor can help you raise the bar on your work by giving you critical feedback that often will improve your work beyond what you might have been able to do on your own. This can lead to more positive reviews and help you gain credibility as a professional writer and expert in your field.

8. You’ll become a better writer through the learning opportunity of working with a professional editor.
Self-editing is an essential part of a writer’s craft. Working with an editor is a chance to hone and improve your own self-editing skills. Even when your friends point out mistakes, it’s not unusual to add additional errors when making corrections. An editor will point out inconsistencies, fallacies, prose that is too flowery, or areas of text that could be rewritten to improve flow, all of which help you become a better writer.

9. A professional editor will respect your style and voice while guiding you toward a final manuscript that’s even more “you.”
Authors are often worried that editing will destroy their unique voice; a professional editor not only respects your voice while improving the flow, syntax, and narrative of your work, but suggests ways to make small changes that will help you create an even more polished version of your work.

10. Your book and your professional reputation ride on the professionalism of your editing team.
An author who relies only on self-editing is like a physician who tries to operate on himself. And you wouldn’t dream of interviewing for a job without taking a shower, brushing your teeth, and making sure your socks match; how could you contemplate creating your legacy as a writing professional without hiring someone to edit your manuscript for errors, omissions, and weak writing? A professional editor has an objective viewpoint and will be honest with you about the many ways you can improve your manuscript—yes, even when you think it’s perfect, you’ll be surprised at the things an editor will find.

One of the best investments you can make in your career as a writer is to pay for at least one level of professional editing. Whether you choose to work with a developmental editor, a copy editor, a proofreader, or any combination of the three, don’t make the mistake of thinking you can do this on your own. Skipping the step of working with a professional editor will compromise the quality of your work.

Originally published on Share Your Articles.

 

If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

 

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

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Book Publishing Is the New Wild West

Book Publishing Is the New Wild West
Book Publishing Is the New Wild West

Crowd-sourcing, royalty-sharing, publishing your book in chapters . . . Here’s a little perspective from Brooke Warner, publisher of She Writes Press and founder of Warner Coaching Inc.

Betsy Morais wrote a piece for The New Yorker called “A Book Is a Start-Up,” in which she writes about some of the new publishing business models coming out of the Tools of Change conference, three days focused on new publishing technologies and business models.

Morais writes about Tim Sanders, C.E.O. of NetMinds, a company that’s attempting to crowd-source book production. It’s an interesting model, to be sure, but one that will probably end with authors, editors, and designers feeling like they are getting screwed somewhere in the process. The reason I say this is because most books . . . read more.

 

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Why Writing Well Matters, Even When Your Product Is Free

Writing WellI came across a blog post the other day that I want to share with you precisely because the author is not a novelist, but she is a consumer–the type of consumer who might one day download your e-book.

In this post, Jill P. Viers writes about the overabundance of typos in a free e-book she downloaded—a nonfiction book filled with information she says “is valid and fairly useful”—yet the book is loaded with errors.

“Why Writing Well Matters, Even When Your Product Is Free” is a post every author should read. Remember: Your book is your resumé; you never get a second chance to make a first impression; save yourself time, money, and anxiety by making sure your book is the best it can be before you publish.

Remember: Your book is your resumé; you never get a second chance to make a first impression. #amediting #editingtip #writers Click To Tweet

*****

I am reading an ebook that I picked up for free when I signed up for someone’s mailing list. The information in the free ebook is valid and fairly useful; however, the free ebook is full of typos and misuses of words. I’m not talking about one or two minor errors. I could get over that. We’re all human. I make mistakes, too.

Notice I keep pointing out that this was a free ebook? There’s a reason, and it’s not an attempt to keyword stuff this post. Some people would ask me, “Why are you complaining about the typos when you got the book for free?”

Here’s the answer: Because I’m still investing my time into reading this ebook. If the author didn’t care enough to proofread, yet this is the author’s “sales pitch” or “can’t miss giveaway” that’s supposed to make me want to hire the author in the future, it’s ultimately a fail for me.”

Read more here.

Happy Writing!

—Candace

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