Four Years of Putting Myself Out There in Cyberspace: Happy Blogging Anniversary to Me!

If you’ve been blogging for a year or more, you’ve received this notification:

blogging anniversary

In my case, it’s been four years since I began sharing on WordPress. Like many bloggers, I had great intentions and planned to blog frequently … and those great intentions often went out the window when life got in the way. For some people, blogging slows down because they run out of things to write about. Anyone who has worked with me and has received one of my epistles will tell you that finding something to write about isn’t usually a problem for me. 😉 Continue reading “Four Years of Putting Myself Out There in Cyberspace: Happy Blogging Anniversary to Me!”

Join Me at "Her Headache" for a Guest Post About Becoming a Freelance Editor

Becoming a Freelance EditorI recently met author Kerry Kijewski when she visited my Facebook page, and she was kind enough to invite me to guest blog at Her Headache. I invite you to join me there to learn a few never-before-shared tidbits about becoming a freelance editor and my personal philosophies. You’ll read about my involvement with the Chicken Soup for the Soul franchise, how I began working in the editing field, why I left traditional publishing, and how I’ve dealt with, er, “difficult” authors.

How I began working in the editing field and why I left traditional publishing. #editing… Click To Tweet

Here’s a preview:


Most of the posts on my own blog are for writers about the writing and publishing, so I was pleasantly surprised when Kerry invited me to guest blog and answer some personal questions. While I’ve written about myself in terms of my work as a professional editor (as in this post), I haven’t written too much about my background or my personal philosophies. Kerry asked some great questions, so here goes:  

“I read something on your website about your involvement with the Chicken Soup for the Soul books. I used to love those when I was a kid and always dreamed of writing something and having it published in those. What was your role?”

Like most people, I’d heard of the Chicken Soup for the Soul franchise, so when I applied for an internship with their book publisher, I looked forward to learning more about anthologies in general and those books in particular. You can imagine my thrill when I was invited by to try my hand at writing back cover copy and catalog copy for several of the books in production that season—and my greater thrill when most of my copy was used!

During my internship, I tried my hand at many publishing tasks and found I was a pretty good proofreader. At first, I only did second proofs; a more experienced proofreader did the first proof pass, and I was the “clean-up” proofreader. After I finished my internship and graduated, I continued to work as a freelance proofreader for a year before I was offered a position with the same publisher as assistant to the managing editor. Over the course of those several seasons, I proofread several more Chicken Soup books as well as many others.

Several years later, the franchise was sold, and the publisher I worked for was no longer involved, but the editorial director recognized the popularity of anthologies (A Cup of Comfort was a popular, competing series) and lobbied for creating a series to replace Chicken Soup. That series became the Ultimate Books, and I was tapped to be the project manager for one of the first titles in the series, The Ultimate Teacher. Working on that first project was the epitome of trial by fire; I learned so much from putting that anthology together.

I continued to build on those skills over the next few years as I worked on several more titles in the Ultimate series and later began acquiring my own nonfiction list. The variety of jobs I handled and the skills I learned is quite varied, so I’ll save that discussion for another post, but suffice it to say I had quite an in-depth education.

“When did you start your own editing business and what made you want to try going out on your own?”

My passion has always been working with writers and their words, and sadly, the economics of traditional publishing caused my job to morph into something that left me little time to do that. My days were spent on many things other than editing, and I grew more and more frustrated.

I finally realized that if things were going to change, I would have to be the one to change them.

So I did, and I’ve never looked back. Was it scary? Yes, it was. But in hindsight, I only have one regret: I wish I’d done it sooner. Becoming a freelance editor and writer is one of the best decisions I’ve ever made.

Finish reading the full interview here.


If you enjoyed reading this, please subscribe to my blog and never miss a post! It’s easy: Just enter your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be. Learn more here.

 

 

Overview: Step 9 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

How to Write a Nonfiction Book Proposal

How do you learn what a book is about? If you’re like most readers, you read a synopsis—maybe the back cover, perhaps you read the description online. But how do agents and editors find out what a book is about when they receive a proposal? They begin by reading the Overview.

Your Overview is a synopsis of the book and why it should be published—its purpose is to give the editor as much information as possible while being as concise as possible—like an executive summary or a précis. A tall order? Yes, but think of it as advertising for your book: it grabs the reader’s attention and gives the basic information that highlights the most intriguing points. Continue reading “Overview: Step 9 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Table of Contents: Step 8 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

How to Write a Nonfiction Book ProposalAuthors often forget the importance of the table of contents when they construct a nonfiction book proposal. Some authors treat it as an afterthought, but it is actually an important part of the proposal package.

A complete proposal actually has two tables of contents, and each serves a different and important purpose:

  • One for the proposal itself
  • One for the actual book
A #nonfiction #bookproposal actually has two tables of contents, and each serves a different… Click To Tweet

Let’s begin with the TOC for the proposal itself. Continue reading “Table of Contents: Step 8 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Sample Chapters: Step 7 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

how to write nonfiction book proposal
Sample chapters need to grab the readers imagination.

You’re coming into the home stretch of writing a book proposal. If you’ve been following this series, you’ve already learned about writing your author bio, the information that should go into your chapter summaries, how to handle competitive titles, identifying your target audience and how you’ll market to them, and how to make agents and editors sit up and take notice of your platform. If you’ve missed any of those previous articles, scroll down to the bottom of this post for links to the first six installments.

If you’re like most writers, you’ve probably already drafted a sample chapter or two; when the idea for your book first strikes, it’s difficult not to begin writing it. Now it’s time to take out that draft and polish it up until it sings. As the Bradford Literary Agency writes, “Draft the chapter that ‘puts your best foot forward’ so to speak. Write the section that is the most interesting, the most compelling and the one that you feel most passionate about.”

Tip: If you’re a new author, I strongly suggest you write your entire book before you query agents. Although it’s perfectly acceptable to shop an idea with a proposal and a few sample chapters, you do not want to be in a position where you are asked for an additional sample chapter or two and you have to hurry to write them. In addition, publishers plan their seasonal lists many months in advance, and if there is any doubt about your ability to finish a manuscript in time, your proposal will most likely get a pass.

Remember that in the end, everything boils down to your writing. No matter how original your book idea is, how spectacular your platform and marketing plans are, or how creatively you’ve compared your book to the competition, it’s all a foundation for the real star of the show: your sample chapter(s). As the Strothman Literary Agency recommends, “If you have not published a book, a strong writing sample provides essential evidence to the editors that you have the ability to attract and engage readers.”

Use the minimum number of words to generate the maximum amount of excitement about your manuscript; choose a chapter (or two) that not only conveys the idea of your book but also leaves an agent or editor wanting more. Revise, proofread, and go over your sample with a fine-tooth comb to be sure it’s the best it can be—a misplaced comma won’t get you a rejection, but pages filled with grammar errors and spelling errors might. You’re a professional writer who is an expert in your field, so put your best work out there.

Here are some FAQs I get from writers about sample chapters: Continue reading “Sample Chapters: Step 7 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Competitive Titles: Step 5 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

How to Write a Nonfiction Book ProposalAnyone who’s written a nonfiction book proposal will probably tell you that proposal writing is more difficult than writing the actual manuscript. After all, you’re an expert on the subject you’re writing about, and sharing that knowledge is fun, but putting on your marketing hat to write the proposal often presents some unique challenges for writers, and facing your competition is one of those.

After all, you’re an expert on the subject you’re writing about, and sharing that knowledge is fun, but putting on your marketing hat to write the proposal often presents some unique challenges for writers. Facing your competition is one of those.

Your book proposal needs to convince the literary agents you query, and ultimately acquisition editors (who decide whether or not to bring your proposal forward for consideration through several vetting steps), why this book will stand out in a sea of other books about your subject, and why you are the perfect author to write this book.

This section of the proposal shouldn’t overwhelm you. This is actually another place for you to let your book shine and show your expertise about your subject—you just need to remember a few things.

Things to Do:

  1. Research the competition and understand how your book fits in the market. Your book will be shelved next to other books in the genre; your book will come up in an online search as one of many in the genre. Here is where you discuss the differences between your book and the others. If you’re writing about a subject that has plenty of competition to choose from, list 5−10 books, but if your subject is very niche, think outside the box a little and come up with at least two or three comp titles. Even if your book is truly unique, find and list books that are similar to yours; for example, if you are shopping a book about baking gluten-free treats for goldfish, you probably won’t have a lot of competition, but compare and contrast your book to others about homemade pet food, raising healthy fish, and food allergies in pets. Continue reading “Competitive Titles: Step 5 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Your Marketing and Publicity Plan: Step 4 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

nonfiction book proposal marketing publicity planIf you’re writing a nonfiction book proposal (and you’re following this series), you already understand the importance of your author bio and how to identify your target audience. Now it’s time to articulate your plans for selling your book by including marketing information that will grab the attention of an agent or editor.

Remember, you’re selling two things in your book proposal: your manuscript and yourself as the author-expert. A strong proposal weaves those separate pieces together in creative and compelling ways, and the Marketing/Publicity section of your proposal is where you bring together the best of those with some creative ideas of your own for making your book a success. And whether you ultimately publish traditionally or decide to self-publish, you just can’t expect publishers or booksellers to bring the readers to you.

As author K. S. Brooks writes,

Book sellers do not want to take up space on their shelves if you’re not going to push your book. They want to know what you have planned to getword out about your book. . . . If they don’t think you’re going to make an effort to sell the books they put on their shelves—well, you can kiss that opportunity goodbye.”

So how do you wow agents and editors with your marketing and publicity section? Continue reading “Your Marketing and Publicity Plan: Step 4 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Your Author Bio: Step 2 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

author bio for book proposalYou have a fantastic idea for a nonfiction book (or perhaps you’ve already written one), and because you want to publish traditionally, your next step is to write a proposal to sell agents and/or editors on your idea.

When I was an acquisitions editor for a traditional publisher, I read hundreds of nonfiction book proposals. Like every other publishing professional does, I read those proposals in a certain order—but not necessarily in the order the author presented the material. (Find a list of the other sections of a nonfiction book proposal here.) When I write a book proposal, I begin with the author’s bio because this is the section I think of as the hub of the wheel; all the other sections are spokes on that hub.

In fact, there is no “right” way to order the sections of your proposal, so I’m going to present the remainder of this ten-part series the way I actually read and write book proposals.

First up: Your Author Bio Continue reading “Your Author Bio: Step 2 of How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps

how to write a nonfiction book proposal
Your proposal on an editor’s desk

You had a fantastic idea for a nonfiction book, and now that you’ve written it, you need an agent and then a publisher to bring it to the world.

Writing the book is the easy part—after all, you’re an expert on the subject you’re writing about, aren’t you? But you’ll need to convince the literary agents you query, and ultimately acquisition editors (who decide whether or not to bring your proposal forward for consideration through several vetting steps) why this book will stand out in a sea of other books about your subject, and why you are the perfect author to write this book.

You convince them through a nonfiction book proposal.

How do I know what should go into a proposal?

I was an acquisitions editor for a traditional publisher for several years. I read literally hundreds of nonfiction book proposals, many from the “slush” pile (unsolicited manuscripts) and many from agents who represented both new and established writers. I’ve read more poorly written proposals than I care to remember as well as a few that knocked my socks off; I speak from experience when I tell you that a great proposal will have an editor picking up the phone and calling the agent before the last page is even read.

Now that I’m a freelance editor, I work directly with authors to help them write compelling book proposals. I’ve also been contacted by agents who represent an author with a great concept who needs help polishing the proposal before the agent shops it because I know what works and what doesn’t.

Why and when to write a proposal

A book proposal is, in essence, a business plan for your book, and it’s all about marketing and positioning. You sell your idea, you sell your execution of that idea, and you sell yourself. A book proposal outlines what your book is about and provides facts and figures that give an agent or editor the necessary ammunition to convince the publisher that your book will make money. Continue reading “How to Write a Compelling Nonfiction Book Proposal in 10 Easy Steps”

Win-Win: Teaching Through Writing

ID-10056679Recently, an independent author who hopes to land a publishing contract this time around hired me to write a book proposal for her latest nonfiction book. She’s an experienced author, but she also knows what she doesn’t know. In her own words, “There is no point in reinventing the wheel when someone else already does it (writing a proposal) well. I think my time would better be served doing what I do best, teaching through writing.”

That sentence got me to thinking about how (as writers) we learn not just from reading, but also from the writing we do. One of the things I love most about my job is the collaborative work I do with authors. There is always a takeaway for me, and more important, there is a takeaway for my author/client.

The author who hired me to write her book proposal understands her personal strengths and weaknesses, and she appreciates the value of hiring someone to do something that might take her weeks of extra time to learn to do well. She’s willing to invest in her writing career by hiring a professional who has the expertise she doesn’t, which frees her up to do what she does best—write. She’s actually making money by spending money.

But there is an added benefit to her: once we’ve completed our collaboration on her book proposal, she will have a very clear idea of how to write a complete proposal for her next book if she chooses to do so.

You see, I too love to teach through writing. As we work together to create and sculpt her book proposal, we both learn. The author spends many hours researching a subject and sharing all her knowledge in a manuscript that she hopes will teach her readers something useful and valuable to them; I spend hours helping her choose just the right words and phrases and putting them together into a package that we hope will catch the eye of an agent or publisher.

And we each come away from this collaboration enriched by the other person’s strengths, because together we can accomplish something neither one of us could do, or do as well, without the other writer.

Collaboration is such an important part of a writer’s life. Many articles have been written about the solitary nature of writing, but when we collaborate with others—through writing partners, critique groups, beta readers, blog followers, and editors—we enrich our writing lives exponentially.

By the time I finish writing this proposal, I’ll have a great deal more knowledge about a subject that interests me, and my client will have a killer proposal and the skill to write the next one on her own if she chooses to . . . and we’ll have both gained something of real value through teaching and writing.

Happy Writing,

Candace

If you enjoyed reading this and want to improve your ability to self-edit and revise your work, please subscribe by entering your email address on the right side of this page. And please know that I’ll never sell, share, or rent your contact information—that’s a promise!

And if you want more great writing and publishing information, check out my Facebook page at Change It Up Editing and Writing Services, where I share all kinds of interesting articles and links.

Candace Johnson is a professional freelance editor, proofreader, writer, ghostwriter, and writing coach who has worked with traditional publishers, self-published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self-help, and on fiction ranging from romance to paranormal. As an editorial specialist, Candace is passionate about offering her clients the opportunity to take their work to the next level. She believes in maintaining an author’s unique voice while helping him or her create and polish every sentence to make it the best it can be.

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