Define "It" to Strengthen Your Writing

Have you ever been engrossed in a great story and suddenly stopped short to ask yourself what the writer is referring to when “it” appears? Here’s an example:

“Sue and Mary found six dresses to try. It fit and was in her price range.”

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What is “it,” exactly? In the context of the sentence above, “it” is used as a pronoun, and illustrates a common (and avoidable) writer mistake:

Undefined pronouns

A quick grammar review: Pronouns are a useful part of speech that give writers greater flexibility in naming schemes. Instead of using and reusing a noun, the substitution of a pronoun allows for a type of shorthand. For example, instead of writing, “The moment John walk into the store, John realized John had forgotten John’s wallet at home” (pretty clunky, huh?), this sentence becomes, “The moment John walked into the store, he realized he had forgotten his wallet at home.”

Personal pronouns are fairly straightforward. Most of us use I, he, she, they, him, her, them, his, hers, and theirs properly . . . but “it” often present unique problems for writers.

The Problem with “It”

When I edit manuscripts, I usually see two different but related problems with the use of “it”: Continue reading “Define "It" to Strengthen Your Writing”

Don’t Forget About Subsidiary Rights in Your Publishing Contract

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As you might know, subsidiary rights (which include merchandising and audio rights) are an important part of a traditional publishing contract. Yet most authors are so focused on the advance and other financial details that they forget about those other rights (audiobooks, foreign sales, merchandise, etc.).

Often, the publisher sells those rights to third parties—or never exercises them at all. Once that contract is signed, the author is at the mercy of whatever the publisher decides to do for any rights he or she did not negotiate to keep. Continue reading “Don’t Forget About Subsidiary Rights in Your Publishing Contract”